Category Archives: Reviews, previews, profiles and movie news

  Marketing incompetence catches up with Amazon Studios. That isn’t why they got into business with Woody Allen decades past his peak. Movies like Mike Leigh’s “Peterloo” were worthwhile, but unsellable. The whole Oscar campaign thing they thought they’d mastered … Continue reading →

Oh snap. Sounds a LOT like the Richard Curtis screenplay to the 2019 Danny Boyle movie. The author has published it online, for free, to let viewers of both make up their own minds, I guess? From Variety. “Graphic Novel … Continue reading →

If you’re of a certain age, the first few notes of a particular Beatles song can bring you to tears, summoning up a memory of a love affair, a time in your life, that poignant “last appearance” on “The Ed … Continue reading →

The movie is called “The 800,” and is about a legendary battle in which Chinese Nationalists, NOT Mao’s communists, stopped the Japanese. No matter what the date is elsewhere on planet Earth, in Beijing it’s always 1984. https://t.co/DD1h38a7O3 https://t.co/74FZwj2SjT https://twitter.com/THRGlobal/status/1143755806610878464?s=17

“Paris is Burning” has been re-released. Seems like a natural place to book it. https://t.co/Bx1dP1DJXC https://t.co/LpuU8XnyQ6 https://twitter.com/THR/status/1143828680155832320?s=17

Yes, this popped up in festivals a couple of years back. It’s a can’t miss project with an all star cast that had to be recut and picked up by a distributor I’ve never heard of for October release. Still … Continue reading →

Early reviews have been mixed for Danny Boyle’s latest. But as early reviewers are often youngish junket journalists who have little connection to the music of The Beatles, well… Boyle’s love of other cultures, the “Non Anglo Saxon” of England, … Continue reading →

Back in the Golden Age of Sail, the ships were of wood and the men made of iron. In those days, when Britannia Ruled the waves, women on a boat were regarded as bad luck. It’s a notion that died … Continue reading →

Strip the poetry out of “Hamlet,” and the soliloquies. Retell the tale from a tragic character’s point of view. Yes, it’s been done before. And Tom Stoppard’s “Rosencrantz and Guildenstern Are Dead” had more zing to it than “Ophelia,” Clare … Continue reading →

“Midsommar,” the latest horror experiment by Ari Aster, the director of “Hereditary,” is a disturbing, patience-testing, rule-bending and frustrating film, one more to be contended with than passively enjoyed. And that appears to be the point. It’s about passivity. It’s … Continue reading →