Category Archives: Reviews, previews, profiles and movie news

It’s an “Unlimited Movie Ticket Subscription Plan,” and as theaters evolve into small workforce upscale venues, it makes perfect sense. They’re rolling it out fast, too. By the end of the month it will be in place. Just saw a … Continue reading →

It’s indulgent. But we knew that. It’s Tarantino. We come for the indulgence. “Once Upon a Time…in Hollywood” might be his most self-aware picture yet, a time-burning wallow in 1960s pop culture, fashions and the “magic of the movies.” It’s … Continue reading →

Damned data. You can sit back — if you’re say, Hollywood — and claim that gender discrimination on the screen, behind the screen, writing the stories that fill the screen and signing off on the checks that feed the entertainment … Continue reading →

Here we go. Again? Butler and Jada, Morgan and Piper and Nolte. You think Danny Huston’s the villain? Maybe?

Was this sequel really necessary? They’ve all moved on, Emma’s won an Oscar, and so on and so forth. Doesn’t seem as gritty and “out there” the second time around. But hey, who knows? A few new cast members — … Continue reading →

A soap star of some standing lets her psycho flag fly as a murderously obsessive fashion photographer in “Fatal Fashion,” which was orphaned and homeless as “Deadly Runway” before Netflix took it in. It’s a chance for Linsey Godfrey (“The … Continue reading →

Sweet and ever-so-slight, “The Farewell” is a Chinese culture-clash comedy built on melancholy, driven by sentiment. A family matriarch has lung cancer. But the doctors haven’t told her, just alerted the family. And the family, in China and in America, … Continue reading →

I don’t expect much “Behind the Music” drama in this Aug. 16 release. Drugs? Sure. Not exactly a feminist band, not “woke.” But not a lot of controversy, just a band that has Aerosmith level of endurance, staying power as … Continue reading →

The set-up is “love triangle” simple — two testosterony guys and a woman who comes between them, trapped on a boat in the middle of the sea. Roman Polanski launched his career with that scenario, the 1962 classic “Knife in … Continue reading →

There’s a nasty musical joke that runs through “The Mountain,” Rick Alverson’s morose tale of The Last Lobotomy Doctor and his newly-hired photographer, driver and wingman. Andy, played by Tye Sheridan with a single facial expression, from start to finish, … Continue reading →