Category Archives: Reviews, previews, profiles and movie news

David Harbour, Olga Kurylenko, Oscar winner Rachel Weiss and Emmy diva Julia Louis Dreyfus star in this May “Black Widow” spinoff. Looks…violent. And Russian. With an asterisk.

A “mythic treasure,” a Halloween curse? A high school trio take their shot in this Oct. 1 release. Cooper Tomlinson and Kim Sandwich and Charity Rose star on it. 

The new trailer — this one is the Brit version of Trailer 2 — plays up the odds, the new star and the vengeance. Nov. 15

It’s a murder mystery set among the filthy-rich/cash poor on Cape Cod, a tale of parties and endless infidelities in which almost everybody has some posh name or nickname — “Tag, Merritt, Greer,” “Shooter” — and almost everybody seems like … Continue reading →

A filmed-in-Georgia comedy about two parents steamrolling a rural inn/venue on behalf of their respective ready-to-marry children, this one has Geraldine Viswanathan, Meredith Hagner, Jack McBrayer, Wyatt Russell, Bobby Moynihan and Celia Weston. Jan. 30, hear come the brides! Love … Continue reading →

A suburban sitcom — Alicia Silverstone co-stars — turns into a comic nightmare of slaughter, splatter and revenge. Guaranteed to offend someone — EVERYone? Finishing its festival run, “coming soon” to theatrical and streaming?

“His Three Daughters” is an awards-bait drama about three quarreling adult children gathered for a death watch for their father. A drama-savvy reader will recognize that as the plot to Anton Chekhov’s “Three Sisters,” even if the writer-director doesn’t credit … Continue reading →

Nell Fisher’s a precocious kid who’s grown up without a Dad. Then, her children’s magician for celebrity parties dad from America shows up. And they set out on an adventure. Looks sweet, cute and juvenile, all one could want in … Continue reading →

Is he cheating? What will she do about it? Why’s her baby crying all the time? Oct. 25, we find out.

Before making his global reputation with epic period pieces from Japan’s samurai past, Akira Kurosawa made movies for domestic consumption in a Japan recovering from the trauma and ruin of fascism and the world war that their militaristic state started. … Continue reading →