Author Archives: Roger Moore

Yes, it’s take Mom to the preview of a family film Saturday, firefighters caring for unruly kids. John Cena in “The Pacifier/The Game Plan” mode,

The grace notes almost outnumber the grimaces in “Harriet,” an insistently melodramatic and sometimes affecting film biography of Abolitionist and heroine of the Underground Railroad, Harriet Tubman. Edit out the theatrical, eye-rolling third act, and Cynthia Erivo‘s fiery, righteous turn … Continue reading →

Competently animated — OK, competent “ish” — and heartlessly scripted, “Arctic Dogs” plays like an Entertainment Studios production not written and drawn so much as engineered, contrived by market necessity. Give theaters something animated to drag kids and parents to … Continue reading →

Good cast, properly dramatic, poetic and action-promising trailer for this 2018 film, earning a Nov. 22 release.

Well, the “Fast and Furious” thing was never going to last forever. Close, but not forever. So Vin Diesel is going down the “Universal Soldier” route with the comic book based “Bloodshot.” Guy Pearce? Man.

Once more, dear friends, once more, cast and crew, once more — ACCOUNTANTS — let us return to “Jumanji” for a little more Kevin Hart/Dwayne Johnson cold hard buddy-teen movie cash.

North American audiences an be forgiven for scanning past this title on Netflix, “Revenge of the Pontianak,” and wondering if the first half of is missing. Shouldn’t it be “Aztek II: Revenge of the Pontiac?” No, nothing to do with … Continue reading →

You can see why Edward Norton held onto the rights to make “Motherless Brooklyn” for years and years before he finally got his chance to film it. It’s his shot at making a “Chinatown,” a film noir about the brute … Continue reading →

It’s a Warner Brothers release, a studio that probably isn’t sweating the mixed early reviews or modest prospects of Edward Norton’s adaptation of a novel that harks back to film noir. “Joker” cured all WB ills from now until Christmas, … Continue reading →

The really bad ones you stare at, slack-jacked, like a grisly road accident that so distracts you it’s a wonder you don’t wind up in the ditch yourself. “Eminence Hill” is like that, a Western so ugly, inept and endless … Continue reading →