Author Archives: rogerinorlando

A novel milieu and an understated turn by Jack Jovcic, playing a mobster turned priest, give the otherwise dour Australian drama “Hidden Light” a fighting chance. Writer-director Aaron Kamp set his story in the Serbian Orthodox community of Perth, Australia, … Continue reading →

So we’ve got this faux ’50s Italian-American greaser (Spencer Boldman) who swipes cars and car radios on 1980s Long Island, and this Jewish Girl Who Wants to be Bad (Emily Ratajkowski) who takes a tumble with him over the course … Continue reading →

A Sundance farce that looks madcap, slapstick, surreal and Jemaine all at once. A guy known for screwball horror (“The Greasy Strangler”) is behind it, Emile Hirsch is also in it. Plaza’s reliably hilarious and should do nothing but make … Continue reading →

The Wednesday opening of “Crazy Rich Asians” came in at $5 million, not the $6 million originally projected (Deadline.com has walked its numbers back).  Thursday night’s “Mile 22” money wasn’t all that. And “Alpha” was always going to be a … Continue reading →

Forget “Alpha,” here’s the REAL “dog of August” at the movies — “Mile 22” — an antic, nonsensical and bloody B-movie amped up by Mark Wahlberg’s motor-mouthed character and the savage, sadistic martial arts stylings of  Iko Uwais. Wahlberg’s go-to director, … Continue reading →

It’s now on VOD and is almost certainly worth tracking down. A bit of Michael Caine autobiography (he narrates), a lot of Swinging London. I have a call in to Gravitas to see if I can get my hands on … Continue reading →

Danny McBride does “out there” better than most anybody. Rosemarie DeWitt, David Allen Grier, Luke Wilson, and a murderous wack-job who isn’t that keen on the promises of realtors and the future that didn’t happen for him. Comedies don’t get … Continue reading →

As AIDS swept across America in the 1980s, the country and its many distinct subcultures were sorely tested in figuring out how to confront it. Confusion and misinformation, prejudice and superstition, genuine fear and revolting callousness all bubbled up during … Continue reading →

A little mid-August action for your cinema going pleasure. Alas, STX chose not to screen “Mile 22,” a Mark Wahlberg/Peter Berg picture, for critics. Reviews are popping up today, and I’m catching it the first showing in the small town … Continue reading →

As Deadline.com notes, the adaptation of “Crazy Rich Asians” is the first major studio release to be headlined by an almost all-Asian cast in 25 years. “The Joy Luck Club” was the last, and oddly enough, a hit. Which begs … Continue reading →