Author Archives: Roger Moore

Unknown's avatar

About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Classic Film Review: A Catfight for the (Middle) Ages — “The Lion in Winter” (1968)

Posted on August 26, 2026 by Roger Moore

It was a gilded age for high-minded British cinema, of larger than life actors taking on epics as heroes and antiheroes — a life of “Lawrence of Arabia,” “Becket,” “Cromwell,” a dash or two of Shakespeare, and “A Man for … Continue reading →

Posted in Reviews, previews, profiles and movie news | Tagged , , , , , , , , , | Comments Off on Classic Film Review: A Catfight for the (Middle) Ages — “The Lion in Winter” (1968)

Movie Review: Teresa Palmer obsessively Counts Everything — “Addition”

Posted on August 25, 2026 by Roger Moore

Movies built around mental maladies have a couple of consistent shortcomings, both of which the Teresa Palmer OCD dramedy “Addition” struggles with, start to finish. There’s a tendency to treat something serious as cute and quirky. Obsessively counting everything from … Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: Teresa Palmer obsessively Counts Everything — “Addition”

Netflixable? “Freefall — A Reckoning for Boeing” celebrates Heroes and Names Villains

Posted on August 24, 2026 by Roger Moore

The new Netflix documentary, “Freefall: A Reckoning for Boeing,” is another “Boeing: What Went Wrong/Downfall of Boeing” expose. But this one celebrates the whistleblowers within the airliner manufacturer who sounded the alarm and often paid a price for it as … Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Netflixable? “Freefall — A Reckoning for Boeing” celebrates Heroes and Names Villains

Movie Review: Statham at Sea means “Mutiny”

Posted on August 21, 2026 by Roger Moore

When Jason Statham growls, “Trust me, I’m coming back for everybody,” what self-respecting hostage wouldn’t consider themselves as good as rescued? J.Sta’s latest, “Mutiny,” is a “Die Hard” at sea that, thank to “Mesrine” director Jean-François Richet, uses that laybrinthine … Continue reading →

Posted in Reviews, previews, profiles and movie news | Tagged , , , , | Comments Off on Movie Review: Statham at Sea means “Mutiny”

Movie Review: “Spa Weekend” is every bit as Bland as it Sounds

Posted on August 21, 2026 by Roger Moore

It turns out, putting the two dudes who scripted “The Hangover” (and “Bad Moms”) in charge of writing and directing a midlife crisis moms at a spa farce wasn’t the smartest move ever. “Spa Weekend” — a title as colorless … Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “Spa Weekend” is every bit as Bland as it Sounds

Movie Review: Kidnapped in Ukraine? The Russkies never see the “Man of War” coming to the Rescue

Posted on August 20, 2026 by Roger Moore

LaMonica Garrett gives off strong Michael Jai White vibes in the title role of the new American commando in Ukraine thriller “Man of War.” I LOVE Michael Jai White. Garrett, of TV’s “1883” and “The Terminal List,” stands out like … Continue reading →

Posted in Reviews, previews, profiles and movie news | Tagged , , , | Comments Off on Movie Review: Kidnapped in Ukraine? The Russkies never see the “Man of War” coming to the Rescue

Movie Review: Rose Byrne is one “Tow” away from Homelessness

Posted on August 18, 2026 by Roger Moore

Get past the gorgeous, glamorous star power in the cast and a tone that lurches from cute to Kafkaesque and the homeless-woman-goes-to-court dramedy “Tow” will still hit you right in the ol’heartstrings. A sentimental tale told with a bitter bite, … Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: Rose Byrne is one “Tow” away from Homelessness

Documentary Review: A Filmmaker Father Reckons with the Loss of his Son — “Remake”

Posted on August 18, 2026 by Roger Moore

The grim finality of loss hangs over legendary filmmaker Ross McElwee’s “Remake.” A meditation on grief, guilt and an obsession to honestly and frankly document one’s life and share it with the world, it may not be the last film … Continue reading →

Posted in Reviews, previews, profiles and movie news | Tagged , , , , , | Comments Off on Documentary Review: A Filmmaker Father Reckons with the Loss of his Son — “Remake”

Classic Film Review: The First Person Diary Doc is born on “Sherman’s March” (1986)

Posted on August 16, 2026 by Roger Moore

It’s hard to remember how “out there” Ross McElwee’s landmark “personal journey” documentary “Sherman’s March” was in 1986. A confessional, cutesie, creepy and revealing snapshot of the South and one privileged movie maker’s revisiting of his romantic past and revelation … Continue reading →

Posted in Reviews, previews, profiles and movie news | Tagged , , , , , , , , , , | Comments Off on Classic Film Review: The First Person Diary Doc is born on “Sherman’s March” (1986)

BOX OFFICE: Spidey’s still The Man, “Odyssey” clears $500 million, “Paw Patrol” and “End of Oak Street” fight for Third

Posted on August 15, 2026 by Roger Moore

The summer’s biggest blockbusters opened huge, and “held” audience, week to week, weekend to weekend. As front loaded as “Toy Story 5”(not far under $500 million), “Spider-Man: Brand New Day” (way over $700, closing on $800) and “The Odyssey” (just … Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on BOX OFFICE: Spidey’s still The Man, “Odyssey” clears $500 million, “Paw Patrol” and “End of Oak Street” fight for Third