Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: “Boo! A Madea Halloween”

Oh Madea, how we’ve missed you. No. Seriously. Unless you are into getting your fixes direct-to-video, Tyler Perry’s alter-ego has been MIA from movie screens for three years. And “Boo! A Madea Halloween” (Haller-ween?) has TV commercials that make you … Continue reading →

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First Preview: “Logan” lets the Wolverine exit with feeling

The only reason the X-Men franchise was never less than half-interesting was Hugh Jackman’s iconic — yes, that’s the right word — portrayal of Wolverine. From the very first X-Men film, he was the magnetic center, a very good actor … Continue reading →

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Movie Review: “Max Steel”offers minimal entertainment

“Max Steel” isn’t the utter abortion that it’s terrible Metacritic/Rottentomatoes ratings suggests it must be. MPAA Rating:PG-13 for some sci-fi action violence Cast: Ben Winchell, Maria Bello, Andy Garcia, Ana Villafane, the voice of Josh Brener Credits: Directed by Stewart Hendler, script … Continue reading →

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Movie Review: “Jack Reacher” turns babysitter in “Never Go Back”

Vigorous, violent, and would you believe…cute? With “Jack Reacher: Never Go Back,” Tom Cruise & Co. take the popular Lee Child character and franchise and stick a gun in its mouth. Cruise and his “thirtysomething” co-conspirators — a cheap shot, … Continue reading →

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Movie Preview: Can “Guardians of the Galaxy 2” catch lightning in a bottle…again?

The first teaser for the GOTG sequel (“Guardians of the Galaxy: Volume 2”) is nostalgic — for the first film and its judicious use of Blue Swede and “Hooked on a Feeling.” They’re not giving us much, which is no … Continue reading →

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Movie Review — “Ouija: Origin of Evil”

“Ouija: Origin of Evil” makes you appreciate the fine art of cutting a movie trailer. You’ve got to show us enough to want to buy a ticket, but you don’t want to spoil all your surprises and effects. This is … Continue reading →

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Movie Review: Faith-based “Priceless” lacks urgency

You have to appreciate the high-mindedness of “Priceless,” a faith-based drama in which a “transporter” makes it his business to free Mexican women he’s unknowingly delivered into the Southwestern U.S. sex trade. But other good intentions — director Ben Smallbone … Continue reading →

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Movie Review: The Icelandic thrills are dim in “Autumn Lights”

What’s memorable about “Autumn Lights,” an erotic thriller set in posh accommodations in rural Iceland? Well, the nude scene depicted above, for starters. A couple of others. Some explicit sex. It’s tempting to revive that long retired label “soft-core porn” … Continue reading →

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Box Office: “Accountant” cashes in, Hart sells out, “Max Steel” melts

Here’s what I’ve been saying since “The Town.” Warner Brothers recognized, in Ben Affleck, their replacement for Clint Eastwood. He’s become a reliable box office star in front of and behind the camera. They’ve shoved him into a Bat costume, … Continue reading →

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Movie Review: The movie Tom Hanks’ “Man Called Otto” is based on — “A Man Called Ove” gives cranky Swedes a good name

“Idioten!” If the sad Swedish comedy “A Man Called Ove” accomplishes nothing else, at least it’s taught us the Swedish word for “idiot.” “Idioten!” The title character, a walking/grumping antidote to the world’s stereotype of happy, friendly Swedes, uses it … Continue reading →

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