Author Archives: Roger Moore

The Golden Raspberry nominations for the worst in cinema of 2017 are out, and Darren Aronofsky’s “Mother!” is the surprise entrant. I mean, Tyler Perry, “Fifty Shades Darker” and “Baywatch” are just bad movie fish we can shoot in a … Continue reading →

When you’re keeping to a movie a month schedule the way Nicolas Cage is, it’s a bit too much to expect every indie outing to be another “Mom and Dad” (January’s dark delight) or the current buzz of Sundance, “Mandy.” … Continue reading →

Strangers, thrown together for a cross-country road trip is how a thousand romantic comedies got their start. In “American Folk,” they’re both singers, more compatible on the surface than most road comedy couples. Their genre? The vanishing strummed Americana of … Continue reading →

If you really REALLY believe that old Oscar truism, “Best Directors direct Best Pictures,” this might be a good time to put your money where that belief is. Because even though writer-director Martin McDonagh was ROBBED and not nominated as … Continue reading →

One thing that poker, the stock market and fiction share in common is “the buy in.” In movies, that’s the mental leap we make when we accept dramatic situations and scripted characters as real. “The Misguided” is a not-quite-gritty West … Continue reading →

As an actress, Heather Graham’s career has been marked by just a couple of moves. She can go wide-eyed, delivering perky banter at an acceptably blinding speed, rolling those wide eyes here and there for effect.  She can go vertical, … Continue reading →

It’s too common to talk about “Oscar snubs,” as if Academy Award nominations are some sort of entitlement. No talk, then, of “one last nomination” for Judi Dench (“Victoria & Abdul”). Let’s forget about Hugh Jackman, who could have pulled … Continue reading →

  They pulled out all the stops for the finale to the lightly-regarded “Maze Runner” trilogy, a young adult action series devolved on the “Hunger Games/Divergent/Mortal Instruments/Giver” model. The action beats, stunts and effects of “Maze Runner: The Death Cure” … Continue reading →

New openings “12 Strong” — “Chickenhawk” producer Jerry Bruckheimer’s latest military outing, and “Den of Thieves,” a lower-budget cops vs robbers Gerard Butler thriller, are arriving in the $13-14 (“Thieves”) and $15 (“Strong”) range on their first weekends at the … Continue reading →

  Daniel Day Lewis announcing his retirement has overshadowed, somewhat, his “final” film for his “There Will Be Blood” collaborator, writer-director Paul Thomas Anderson.    “Phantom Thread” is a dry, chilly and occasionally droll tale of unconventional love in 1950s … Continue reading →