Daily Archives: October 9, 2023

Old World War II films that age well tend to have an artist behind the camera and eschew patriotic cheerleading for a weary “war is futile” but “fascism must be stopped” messaging. Carol Reed’s “The Key” brings the cynicism of … Continue reading →

Aaron Eckhart makes his “boxing picture,” playing a back-alley fighter who has a debt to Big Mama (“Secrets & Lies” star Marianne Jean-Baptiste, looking and sounding fierce). Bella Thorne is the Southern fried tattoo billboard who seems to believe in … Continue reading →

Rebecca Miller’s “She Came to Me” dances and teeters, staggers and skips along the line separating the quirky from the indulgent. It’s a high-minded, well-cast romantic comedy whose easy laughs come from two Oscar winners and Peter Dinklage, a film … Continue reading →

Ken Loach, one of Britain’s most politically conscious/working class savvy filmmakers (“The Wind that Shakes the Barley,” “It’s a Free World,””Jimmy’s Hall”), takes his shot at intolerance for displaced persons in his latest. Looks excellent. As one would expect.