Tag Archives: movie-review

Movie Review: Kirkland Fan and would-be filmmaker makes the trek to “Sallywood”

Posted on November 23, 2024 by Roger Moore

A film buff meets his Hollywood idol and wins his dream job working for her in “Sallywood,” a lighthearted indie lampoon of show business, showbiz “types” and the indignities of “I used to be famous.” Sally Kirkland got her start … Continue reading →

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Movie Review: “Wicked” girlfriend, you’ve put on an awful lot of weight

Posted on November 22, 2024 by Roger Moore

“Wicked” moves from the Broadway stage to the cinema, an epic that transitions from “musical” to “intellectual property” in a bloated, lumbering, gear-grinding crash. Whatever Disney or most any other producing studio might have done to this beloved prequel to … Continue reading →

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Movie Review: Coming of Age, “What We Find on the Road”

Posted on November 19, 2024 by Roger Moore

“What We Find on the Road” is a dramatically dull indie roadtrip dramedy that reaches for “coming of age” and strains itself getting there. The film begins with mystery and promise, drifts into predictable and undramatic and doesn’t really rally … Continue reading →

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Movie Review: A Brave anti-fascist theologian is clumsily remembered in “Bonhoeffer”

Posted on November 19, 2024 by Roger Moore

I highly recommend you pay a quick visit to the Wikipedia page dedicated to German theologian and resistance martyr Dietrch Bonhoeffer before taking on writer-director Todd Komarnicki’s film “Bonhoeffer.” Otherwise, you might be as lost as I was thanks to … Continue reading →

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Movie Review: Dumb action gets dumber, “Get Fast”

Posted on November 17, 2024 by Roger Moore

“Stupid is as stupid does,” and stupid’s entirely the point of “Get Fast,” a dumber-than-dumb action pic that sets out to prove how much movie you can make with pretty much no script at all. Catch-phrases and stock characters, a … Continue reading →

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Movie Review: A French “Robin Hood” robber enjoys “Freedom,” between heists and prison time

Posted on November 16, 2024 by Roger Moore

The ambitiously titled “Freedom” is a heist picture that makes more promises than it keeps. The latest feature from actress turned director Mélanie Laurent (“Now You See Me,” “The Flood”) sets up as a French Robin Hood tale of an … Continue reading →

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Classic Film Review: Hitchcock becomes “Hitch” — “The 39 Steps” (1935)

Posted on November 15, 2024 by Roger Moore

While he was alive, critics had little trouble finding ways to discount Alfred Hitchcock’s genius and underrate his later decades of entertaining, bubbly and even chilling thrillers. Because that generation of reviewers remembered “The 39 Steps.” This 1935 romp of … Continue reading →

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Netflixable? Troubled Couple’s Children have “Vanished into the Night”

Posted on November 14, 2024 by Roger Moore

The stakes could not be higher in the thriller “Vanished into the Night.” A father, in debt and going through a divorce, loses his children to kidnappers and must reconnect with a hoodlum from his wayward youth to raise the … Continue reading →

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Netflixable? Argentine half-siblings are “(Un) Lucky Sisters”

Posted on November 11, 2024 by Roger Moore

They blow the “meet cute” in the Argentine action comedy “(Un) Lucky Sisters,” and its pretty much all downhill from there in this short but not remotely brisk tale of two disconnected half-sisters who stumble into their late father’s secret … Continue reading →

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Movie Review: “The Best Christmas Pageant Ever,” not the worst holiday movie ever

Posted on November 8, 2024 by Roger Moore

“The Best Christmas Pageant Ever,” the latest film of the based on the early ’70s Barbara Robinson novel, comes to the screen with all the charms and shortcomings of a thousand Little Theatre stage productions over the decades. Uplifting in … Continue reading →

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