Tag Archives: film

Movie Review: Ridley’s Believe in it, or Don’t — “The Dog Stars”

Posted on August 28, 2026 by Roger Moore

“The Dog Stars” is the sort of movie that late August is infamous for — a dog that the studio couldn’t figure out how to fix or market into a success, so they dumped it on Labor Day Weekend. It’s … Continue reading →

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Documentary Review: A Filmmaker Father Reckons with the Loss of his Son — “Remake”

Posted on August 18, 2026 by Roger Moore

The grim finality of loss hangs over legendary filmmaker Ross McElwee’s “Remake.” A meditation on grief, guilt and an obsession to honestly and frankly document one’s life and share it with the world, it may not be the last film … Continue reading →

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Classic Film Review: The First Person Diary Doc is born on “Sherman’s March” (1986)

Posted on August 16, 2026 by Roger Moore

It’s hard to remember how “out there” Ross McElwee’s landmark “personal journey” documentary “Sherman’s March” was in 1986. A confessional, cutesie, creepy and revealing snapshot of the South and one privileged movie maker’s revisiting of his romantic past and revelation … Continue reading →

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Classic Film Review: Dietrich and Douglas, Posh Infidelity with “The Lubitsch Touch” — “Angel”

Posted on August 9, 2026 by Roger Moore

It’s 1937, and Marlene Dietrich would let the world know she could shed almost every hint of her German accent when it suited her purposes. Melvyn Douglas proved that all a bland leading man needed to do was grow a … Continue reading →

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Classic Film Review: Cocteau Kink? “Les parents terribles — The Terrible Parents,” aka “The Storm Within”(1948)

Posted on August 4, 2026 by Roger Moore

One of the most praised French films of its day, Jean Cocteau’s 1948 dark comedy “Les parents terribles” still summons a chuckle or two and a cineaste’s appreciation of its compact, concentrated mise en scene-focused compositions, cinematography and editing. Its … Continue reading →

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Movie Review: Gen Z confronts “I Want Your Sex” Reality — with Trepidation

Posted on August 1, 2026 by Roger Moore

Some of us saw this coming way back when “Tron” was rebooted as “Tron: Legacy” The chilly, chiseled perfection that was Olivia Wilde just screamed “dominatrix,” and maybe a future in Cruella de Vil/Nora Desmond roles. Wilde, dolled up in … Continue reading →

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Movie Review: David Morse Carries the Weight of a “Broken Land” along the Southern Border

Posted on July 20, 2026 by Roger Moore

There’s not much new that the movies can say about the open political sore that is immigration policy and realities along America’s southern borders. The preponderance of movies on the subject have historically been pro-immigration, not a stretch for a … Continue reading →

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Classic Film Review: A Brit DJ with a Dead Brother hears the Birth of New Wave — Turn Your “Radio On”

Posted on July 19, 2026 by Roger Moore

“Radio On” is an archetypal ’60s “art film” mystery drama released on the cusp of the New Wave ’80s. The tone is downbeat, the story and performances are minimalist and the narrative is literally driven by a 1960 Rover 80 … Continue reading →

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Movie Review: Black Teen faces the trials of being a “Mississippi Scholar”

Posted on July 12, 2026 by Roger Moore

Earnest, preachy and melodramatic to a fault, “Mississippi Scholar” is exactly the sort of movie that the independent cinema was born to create. Director and co-writer Marcus Bleecker’s film may traffic in tropes and cliches. But it has a vivid … Continue reading →

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Classic Film Review: Edwards and Sellers crash “The Party” in Hollywood (1968)

Posted on July 4, 2026 by Roger Moore

A wicked thought crossed my mind midway through re-watching the Blake Edwards/Peter Sellers farce “The Party,” one of three times the great British funnyman donned brownface to play Indian characters. What would have happened had Sellers, a comic legend and … Continue reading →

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