Movie Review: “Kevin Hart, Laugh at My Pain”

2half-star

If his stage act is any indication, tightwad Kevin Hart was checking ticket sales all weekend long when “Laugh at My Pain” opened — over $20,000 per screen, 97 screens — a $2 million opening weekend.

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Movie Review: “Drive”

If you want to make your getaway, you need to play it cool. No squealing tires. No panic at the first sign of the police.

You need to stick to the speed limit. You need to know when to pull over behind a truck, turn off your lights and wait for the po-po to pass you by.

Or you need to hire “the kid,” a guy who knows those things. Ryan Gosling oozes Steve McQueen cool in “Drive,” a lean, pulsating thriller about a mechanic and part-time movie stunt-driver who moonlights as a “wheelman,” the fellow who can pick you up, take you to your robbery and get you out of there before the cops catch you.

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Movie Review: “Straw Dogs”

Equal measures smug and savage, Rod Lurie’s infuriating remake of Sam Peckinpah’s vengeance thriller “Straw Dogs” still packs a visceral punch. An exploitation picture built on redneck cliches and big city liberal outrage, it’s not all bad. But it is a pretty unpleasant wallow in the obvious.

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Movie Review: “Senna”

“Senna” is a racing documentary that takes us into the jittery, jumpy, nerve-wracking driver’s seat of Formula 1 race cars of the 1980s and 90s. More interestingly, it gives us access to the sometimes acrimonious driver’s meetings of the day, when track officials and the sport’s imperious rulers fielded and often brushed off testy, emotional questions from the drivers.

No, NASCAR coverage on TV never looks like this.

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Movie Review: “Dolphin Tale”

The story of how Winter, a New Smyrna Beach dolphin, lost her tail and became the star attraction of the Clearwater Aquarium becomes an adorable kids’ film in “Dolphin Tale.”

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Movie Review: “Killer Elite,” straight no-chaser Statham actioner

“Killer Elite” is a guy’s movie and makes no bones about it. It’s an old-school straight-no-chaser action picture about an ex-CIA agent who hunts down assorted troopers from the British Special Forces to save an American agent from a vengeful Arab.

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Movie Review: “Abduction” gives Taylor Lautner a chance to shed the fur

“Twilight” alumnus Taylor Lautner makes his debut as a leading man in an action film tailor-made — ahem — for him. “Abduction” puts Lautner in motion and never goes very far wrong as long as he remains in motion.

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Movie Nation Interview: Mary Elizabeth Winstead of “Smashed” and “Scott Pilgrim”

 

There’s a hint of incredulity to the rave reviews for the alcoholic love story “Smashed.” And since its director, James Ponsoldt, made a previous film about an alcoholic baseball umpire (“Off the Black”), that slack-jawed shock is aimed at his leading lady.

Even when a critic like Lisa Schwarzbaum at Entertainment Weekly is praising her “empathetic performance of appealing transparency,” she can’t help but refer to Mary Elizabeth Winstead as the “former horror-movie scream queen.”

Winstead, who turns 28 in November, has a string of horror credits — “from “The Ring Two” and “Final Destination 3” to “The Thing.” But even the role she’s best known for, as the face that launched a string of vengeful lovers after new beau Scott Pilgrim in “Scott Pilgrim vs. The World,” doesn’t suggest the staggering, confused and amused at the idea of 12 Step help young drunk she plays in “Smashed.”

“I didn’t know I had it in me, either,” she confesses.

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But Ponsoldt did. It’s one thing to cast Nick Nolte as an aged alcoholic in “Off the Black.” But something in Winstead’s “Scott Pilgrim” turned convinced him she could pull off a younger version. Even in a “live action cartoon” like “Scott Pilgrim,” “she’s this cool, still, stoic center,” Ponsoldt says. “She’s like Henry Fonda or Jean Gabin or Robert Duvall. She doesn’t over-act, whether she’s playing Scott Pilgrim’s girlfriend, or the woman with the flamethrower in ‘The Thing.’ The demands were different. She was still good.”

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Movie Nation Interview: Sarah Silverman

There’s always been something that screamed “CARTOON” about that potty-mouthed pixie, Sarah Silverman. Even at her most outrageous, the edgy comic’s disarming, Betty Boop by way of Betty Rubble voice intentionally softens that edge.

Silverman’s demeanor and material, in which as the Los Angeles Times and many others have proclaimed “almost nothing’s off limits” — race, religion, sex and celebrity — can be jaw-dropping. Think of her stand-up documentary “Jesus is Magic,” her sexualized political ads and what she once sang to ex-boyfriend Jimmy Kimmel that she was doing to Matt Damon.

But coming from a voice built for babytalk, with a touch of phone sex, she gets away with it.

Her most outrageous stunt yet may be her first-ever turn as an animated character in a Disney film. She’s voiced more adult animation — “The Simpsons,” “Family Guy,” “Futurama,” “Bob’s Burgers.” “Wreck-It Ralph” is a Disney toon (review here) in which she plays a sassy, sugary exiled video game imp named Vanellope Von Schweetz. And if Vanellope has a certain Silverman edge, the comic-turned-actress says that’s Disney’s doing.

We reached her in Los Angeles.

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Q: So, who called whom? Did you approach Disney, or did they pitch you?

Silverman: “Disney called me. They did. I have NO idea why. I was like, ‘Do they only know me from ‘Monk’ or ‘Yo Gabba Gabba’ or something?

“I was thrilled. Everybody loves Disney and Pixar. And when I thought of it, the filthiest comedian working as I was coming up was Eddie Murphy. And he’s found a home with Disney. So if he can do it, why not me?

“I mean, I have the perfect voice for animation, and a great face for radio! Haha! I’ve always had a voice, a pretty distinctive one — pleasing or displeasing, depending on who you are. When I hear it, I’m like ‘Eeeewwww, it’s so NASAL.’ But early on, I got a voice-over agent, and I’d go to voice-over auditions constantly — commercials. I never got booked. NEVER. Then, people started hiring me for me and I started getting all this cartoon work

“A lot of people are asking me about this choice, and I’m like, ‘Do you think I’m going to sneak (expletitive deleted) into their cartoon? NO. I’m an adult. There’s more than one side of me and I can certainly curb myself if they give me a script. Come on!”

Q: Well, you’ve provided so little evidence, up to now, that you are, in fact, able to curb yourself.

Silverman: “Yeah, I know. Disney’s REALLY smart releasing this in an election year when I’m at my most tippy-top polarizing self! But they’re still cool about it.”

Q: Anything about Vanellope that you could identify with, as a character?

Silverman: “I feel so close to her. Yes, she’s a ‘Her.’ She’s an EveryWoman — obnoxious and precocious and annoying, at first. She’s this little tough girl. When people are tough, it’s because they’re protecting this fragile interior. She was this little rejected girl covering it with being a tough guy. A lot of people can relate to that. I know I could.

Q: And there are these Sarah Silverman touches to her lines. A video game character with a learning disorder, she says she has ‘pixlexia?’

Silverman: “I LOVE that! I’d love to take credit for it, but that’s in the script. We improvised and came up with alternative lines. ‘Milk My Duds.’ But stuff like ‘Why did the hero flush the toilet?’ ‘Cuz it was hit DUTY’? Straight out of the script. And I LOVED it.”

Q: So is ‘Going Disney the sign that this the beginning of a mellower Sarah Silverman? (She turned 42 in December).

Silverman: “This comes out sandwiched between a filthy political video, and a movie (“Take This Waltz”) that I’m nude in (review here). So SURE. I’m getting a LOT mellower.

“I’m kind of daydreaming, right now. I’m doing another stand-up special. It’s been seven years, and I’m focusing on that after ALL these interviews Disney makes you do — a world tour — ‘Wreck-It Ralph’ mania. That, and getting people to vote.

“I’ll know what I want to do next — a song, a show, a movie — when it comes to me, but right now, I’m undecided.”

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Critic’s Log — Tonight’s screening, “Gangster Squad”

Josh Brolin, Ryan Gosling, Anthony Mackie & Co. are out to deal with Mickey Cohen (Sean Penn) in late 1940s/early’50s LA in this old school gangland picture. “Gangster Squad” had Oscar buzz up until the day Warners moved it into the dead zone of January, suggesting they’d cooled on the idea of it being award-worthy. Fingers crossed though.

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