Category Archives: Reviews, previews, profiles and movie news

Movie Review: A shallow deep dive into identity — “Parallax”

“Parallax” is a mysterious, no-budget sci-fi story of identity and its manipulation, a movie that lives on mood and tone. Writer-director Michael Bachochin crosses the line from “cryptic and obscure” to “obscurist”early on. And when the film finally reveals its … Continue reading →

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RIP Ennio Morricone, master of the Spaghetti Western score

He won an Oscar for scoring Quentin Tarantino’s lesser send-up of the genre, “The Hateful Eight.” But the great Italian film composer Ennio Morricone made his mark on the cinema in the ’60s, scoring the Italian-made/Spanish-filmed Westerns of Sergio Leone … Continue reading →

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Netflixable? Over-achieving teen takes on “The F**k-It List”

“The F**k-It List?” What a crock of s**t. An “edgy” teen comedy bereft of laughs, wrapped in “life lessons” and nestled in privilege, it is as infuriating an entry in the “graduation” genre as Hollywood has produced. That’s an important … Continue reading →

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Movie Review: Lovelorn Austrian seeks help from Freud and “The Tobacconist”

If “The Tobacconist” didn’t put veteran Austrian TV director Nikolas Leytner into therapy, he must be a stronger soul than we mere mortals. He had a best-selling novel by Robert Seethaler as material, Vienna “between the World Wars” as his … Continue reading →

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“Memento” holds up, save for one far-fetched plot element

Rewatching Christopher Nolan’s break out picture. A guy who loses his memories overnight, and tattoos clues on his person to allow him to pursue and punish his tormentors? Ok. Joey Pants as a weasel who flatters and ingratiates himself and … Continue reading →

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“Hamilton” vs. “1776” isn’t a fair fight, save in one regard

There are no “wholly original” stories out there, only fresh variations of all that came before them. Every plot is a version of something dating back to “the classics.” Every character a new wrinkle of classic archetypes. Every novel, play, … Continue reading →

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Netflixable? Coeds escape to the Italian Riviera for love — “Under the Riccione Sun”

So here I was, eye-strained from all the eye-rolling at the pretty and utterly vapid Italian beach romance “Under the Riccione Sun,” ready to UNLOAD on it with this opening. “If you missed out on how dry and empty American … Continue reading →

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“Atomic Cafe,” “Harvard Beats Yale 29-29” director Kevin Rafferty dies at 73

Kevin Rafferty’s most acclaimed documentary, “Atomic Cafe,” was selected for preservation by the Library of Congress’s National Film Registry. It was about America’s atomic testing legacy. Harvard educated, a relative of the Bush clan, he made a very entertaining sports … Continue reading →

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Movie Review: “Between Shadow and Soul,” a silent remake of “The Third Wife”

Writer-director Ash Mayfair made a modest splash with her artful, serenely suspenseful “The Third Wife,”about a child bride’s experiences in 19th century Vietnam, and loosely based on Mayfair’s family’s 19th century history. The 14 year-old bride, May (Nguyen Phuong Tra … Continue reading →

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Documentary Review: “#AnneFrank — Parallel Stories” on Netflix

Dame Helen Mirren sits at a desk and begins reading aloud from a book — a diary. The desk is in the room in “The Annex” in Amsterdam, the very room where Anne Frank and her family hid from the … Continue reading →

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