Category Archives: Reviews, previews, profiles and movie news

John Krasinski finds his way back on the big screen, both in front of and behind the camera, in the sentimental and sweet but obvious and sit-commie “The Hollars,” a melodrama about an amusingly dysfunctional family brought together by terminal … Continue reading →

If college cinema professors aren’t teaching “The Screen Gems View of Urban Affluence and its Impact on African American Aspiration,” then somebody is seriously missing the mark. The studio, which gets by on random horror hits and the occasional franchise … Continue reading →

The voice of skepticism is sorely missed in Oliver Stone’s credulous bio-pic, “Snowden.” But Stone doesn’t really do skepticism, characters playing the Devil’s Advocate, contrary voices. He didn’t have that to impedge his groveling before Hugo Chavez in the documentary … Continue reading →

Travis a thirtyish musician cobbling together a living in New York, playing jingles, interviewing folks on the street about their toothpaste. But the wedding of an ex-girlfriend has him taking stock. “I’ve been thinking I need to make some changes.” … Continue reading →

The voices hiss off the cassette tapes, Cold War moments frozen in time. Korean filmmaker Shin Sang-ok can be heard on them. His actress-wife, Choi Eun-hee made the recordings, and is heard as well. But the star, the riveting presence … Continue reading →

Saturday didn’t save the French kids’ cartoon “The Wild Life.” A lifeless “Robinson Crusoe” adaptation with nary a laugh in it — nicely animated, but still — won’t even open to $3 million, which is beneath “bomb.” Pity they didn’t … Continue reading →

So Tom Hanks still has an audience. Clint Eastwood’s name in the director’s credit has renewed punch, thanks to “American Sniper.” And “Sully” is the first break-out hit of the fall, opening to an estimated $30 million this weekend.  That’s … Continue reading →

Building a musical around an English neighborhood where five prostitutes were murdered is no slam-dunk of an idea, I don’t care what “Sweeney Todd” would say. But, hey, Tom Hardy SINGS in “London Road,” a BBC Films production based on … Continue reading →

You don’t have to remember the 1943 mid-WWII Oscar winning “The Human Comedy” to realize that Meg Ryan’s version, “Ithaca,” is missing something. Sentimental and slow, this “Life on the Homefront” melodrama lacks the pathos and punch of its predecessor. … Continue reading →

JT LeRoy was literature’s most “unreliable narrator.” An invented writer with a lurid, invented past and a talent appreciated mostly because of that fabrication, Jeremy “Terminator” LeRoy fooled the supposedly hip New York literary scene, and movie stars, rock stars, … Continue reading →