Author Archives: Roger Moore

“Good Sam” is a “Pay it Forward” style “feel-good” weeper that lacks only the weeping — and the feeling good — to come off. Unemotional, mostly uninvolving and seriously underwhelming, it takes a mild-mannered story about an anoynmous good Samaritan … Continue reading →

Kind of pins you back in your seat. Little bit.

“Spies in Disguise” is an animated action comedy, “Mission: Impossible” with one-liners and sight gags galore.  It’s a violent film with “there’s got to be a better (non-violent) way” messaging, a pretty funny torture joke and lots of written graphics. … Continue reading →

Well, isn’t this the most adorable damned concert doc you ever saw? “Spirits of the Forest” captures Depeche Mode at the finale to their 2017-18 “Global Spirit” in Berlin. It’s a multi-media spectacle in the modern concert style, with the … Continue reading →

I’ve just finished the last biography written by the historian Edmund Morris, a Pulitzer Prize winner and the world’s foremost expert on Teddy Roosevelt, and among those foiled by “There’s no THERE there” in trying to write a biography of … Continue reading →

A thriller with good buzz, and an annoying voice over narration? Corporate attorney ingests the wrong drug, and his paranoid world flips upside down.

This Spring release (in the UK) stars Radcliffe as Tim Jenkin, and Ian Hart ad is the true (ish) story of white South Africans working with the African National Congress during Apartheid, and imprisoned for it “Escape from Pretoria” is … Continue reading →

In her forty years on the screen, nobody has been better at “making it real” than Alfre Woodard.  So don’t drop in on “Clemency” expecting histrionics. She plays a prison warden at a penitentiary with a crowded Death Row, and … Continue reading →

Saturday mornings are the most popular time to preview upcoming kid films. Studios like to pack a theater with kids, their parents and film reviewers so that those of us writing about movie get a taste of how it plays … Continue reading →

The newspaper treated as the villain in Clint Eastwood and screenwriter Billy Ray’s warped, wingnut friendly movie, was no such thing. They were the first to report the fact that he could not have done it. Go to the link … Continue reading →