Author Archives: Roger Moore

Ken Loach is the Scorsese of feature film realism, the Tarantino of naturalistic, lived-in dialogue, the Claire Denis of movies built on characters who show us life, as it happens. His milieu is typically Britain’s working class, which he celebrates … Continue reading →

Elle Fanning and Justice Smith take a walk — and a bike ride — through love and death in “All the Bright Places,” a moon-eyed teen romance that never knows when to drop the mike. It’s a movie that takes … Continue reading →

Another trip back to the “Braveheart” era. Angus MacFadyen has the title role in this April 24 release.

If ever there was a time ripe for satirizing, sending up for its open corruption and crass celebrity, all consumed with unquestioning dimwittedness by a public distracted by “bread and circuses,” it is ours. Idiots idolized for their innate skill … Continue reading →

Spreading himself pretty thin, but his track record speaks for itself…

  We carry around a picture of an antiquarian book dealer or obsessive book collector in our heads. White. Male. Tweed. And there isn’t a lot in D.W. Young’s New York-centric “The Booksellers” that tampers with that. There’s tweed, here … Continue reading →

“Ride Like a Girl” is a feel-good tale of pluck, family and breaking gender barriers in the family business. The “family business” here is jockeying, something every one of Paddy Payne’s ten offspring took up, under daddy’s supervision. A competitive … Continue reading →

Movies about making movies are a favorite subject of first-time filmmakers. Yeah, it’s narcissistic. But if the rule of thumb is “write/direct what you know,” that’s the thing most obsessives who want to be in the film business know best. … Continue reading →

He’s the writer. Laura Linney’s who he ended up with. Elle Fanning is the result. And Salma Hayek is, in some form, one of “The Roads Not Taken.” Sally Potter directed this March 13 release.

This looks lovely and reaches an audience the major studios neglect.