Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: An elegy for the “Working Man”

Allery Parkes has reached the “routines” stage of life. He gets up at the same time, puts on his work shirt, has his breakfast, loads the same canned-meat sandwich into his lunchbox and methodically, slowly, walks to work. Marriage? He … Continue reading →

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Movie Review: Death, longing and Don DeLillo — “Never Ever (À jamais)”

“Never Ever (À jamais)” is a brief French drama, with lovely settings and beautiful actors. And it finishes with a fine twist. But I’m not sure I can endorse the dull, internalized grief that comes before that finale. It’s a … Continue reading →

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Movie Review: Hide your children when “The Wretched” are on the hunt

When the babysitter stumbles upon a crazed woman devouring the kid she’s supposed to be caring for in the opening moments of “The Wretched,” my first thought was “zombies” and second thought was “vampires.” Silly me. WITCHES. The feminine evil … Continue reading →

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Now Showing at the Drive-in!

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Netflixable? Chris Hemsworth leads and needs “Extraction” from this

    Stuntman turned director Sam Hargrave keeps the camera close to the action in “Extraction,” tight and right in the middle of the brawls and sprawl of Dhaka, Bangladesh and right in the face of his hero, Chris Hemsworth. … Continue reading →

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Movie Review: Sometimes, “Vanilla” is as sweet as you want it to be

A little “cute” goes a long way in “Vanilla,” a light and winning road picture romance that’s a promising feature film debut from writer-director Will Dennis. That “long way” is New York to New Orleans, where an unlikely pair — … Continue reading →

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Netflixable? In Valencia, murders happen in “El silencio del pantono (The Silence of the Marsh)”

“Good villains make good thrillers,” the Master of Suspense is purported to have said. And if a writer knows what’s good for her — or him — you name that bad guy “Falconetti.” That name has turned up a couple … Continue reading →

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Movie Review: An immigrant’s tale, a single drop in “The Flood”

In Hollywood or abroad, there is but one modern immigrant narrative. It’s the horrific story of what someone went through to get “here,” wherever “here” might be. It’s a rite-of-passage story with built-in pathos and a healthy dose of “Put … Continue reading →

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“Classic(?)” Film Review: “Chaplin” reconsidered

What lingers in the memory about “Chaplin,” Sir Richard Attenborough’s 1992 Oscar-bait biography of “The Little Tramp,” Charlie Chaplin? The decades haven’t erased the sense that “the longer it goes on, the worse it gets.” Some of the casting is … Continue reading →

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Documentary Review: Remembering the Biosphere — “Spaceship Earth”

Here is THE must-see documentary for a world living under quarantine. “Spaceship Earth” is about can-do cooperation, art and science coalescing, about “learning by doing” and recognizing that “small groups of people are the engines of change.” It’s about making … Continue reading →

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