Author Archives: Roger Moore

Monica Bellucci stars in this tale of a tattoo superstar and looks like nothing you’d expect to see from any North African cinema. Wow.

My stars and garters, what manner of Z-movie mayhem is this? A little nacho cheese from the makeup maestro turned director of “Leprechaun Returns,” complete with all the digestive tract burps and toots that label entails, “Psycho Goreman” looks and … Continue reading →

Not every film that’s all about a menage a trois aims to be the next “Jules et Jim.” Some have a hint of “Summer Lovers” or “Y Tu Mama Tambien” about them, and so go for playful “Vicky Cristina Barcelona” … Continue reading →

As paranoid thrillers go, “Sightless” isn’t half bad before it — pardon me — loses its way. And even after that, it manages a moment or two even as it frustrates you with its many blown possibilities. The story of … Continue reading →

Three movies set in “the troubles” along the Border have come out in same week. “The Marksman” is a generic Liam Neeson action picture without the nerve to be either a racist redemption tale or a meaningful look at a … Continue reading →

Samuel L. Jackson has been King of the on-Screen F-word forever. But who could have guessed that when a queen was crowned, she’d be from the Subcontinent, and not Dorchester, Park Slope or Culver City? The Indian actress Kajol (Kajol … Continue reading →

As he fusses over close-ups, how the camera frames him, and muses about how he’ll be remembered, Hector Babenco scripts, blocks and produces his “final film.” But he doesn’t direct it. On the documentary, “Babenco: Tell Me When I Die,” … Continue reading →

Right. So what do you make of a pre-natal comedy where Mum’s in denial and Dad’s a weeper, Mum’s making a bucket list of all the “fun” stuff they should do before the due date hits and “I’m not ME … Continue reading →

A little horror from Samuel Goldwyn? March 5 “something wicked this way comes.”

A February movie, of course.