Author Archives: Roger Moore

Zoe Lister Jones, Olivia Wilde, Fred Armisen and Oscar winner Helen Hunt star in this deadpan “Last Day on Earth” comedy.

The burning question, carried over from each “Rogue Warfare” thriller to the next, is “Are they getting better?” Is “Rogue Warfare: Death of a Nation,” the best yet? The reasons the sequels exist are still here — cheap, desert southwest … Continue reading →

The phrase, “You look like the ghost of a Victorian prostitute” could only mean one thing. “Downton Abbey” is BACK! Actually, it’s the second season of “Flack,” star Anna Paquin‘s PR version of “Nurse Jackie,” a show with a drug … Continue reading →

It’s nigh on impossible to single out highlights from the joyously upbeat concert film, “Summer of Love (…Or When the Revolution Could NOT be Televised).” Marilyn McCoo and Billy Davis, Jr. sit, in tears, as they see their performance with … Continue reading →

“The Birthday Cake” is a lurid, blood-and-marinara-soaked mob movie, another tale of “this neighborhood’s changing” thanks to shifting demographics and an aging mafioso losing his grip. It’s also a coming-of-age story about a kid who wasn’t tough the first time … Continue reading →

Disney/Pixar’s animated “Luca” is “The Little Mermaid” without the heart, “Cloudy with a Chance of Meatballs” without the laughs. It’s a dull if gorgeous-looking time-killer aimed at a very young and undemanding audience, perhaps not too young to ask “Mom, … Continue reading →

Mid July from UnCork’d.

Has there ever been a World War II classic that starts as clumsily as “A Walk on the Sun?” Corny ballad with printed sing-along lyrics, a poorly-faked landing craft voyage that never gives you any sense that the GIs on … Continue reading →

About “The Serpent,” the spy thriller scripted, directed and starring model Gia Skova. Every other filmmaker who has had her or his finished movie described as “incoherent” or “makes no sense at all” is owed an apology after this. “The … Continue reading →

A Central American thriller leaning more on mood than thrills, “Tragic Jungle (Selva trágica)” plays like an Edgar Allan Poe tale adapted by Joseph Conrad. It’s a “Heart of Darkness” jungle story with a supernatural threat, a kidnapped woman whose … Continue reading →