Author Archives: Roger Moore

There were a couple of instances during his storied career as director, producer and “brand” that Roger Corman might have moved beyond B-movies and taken his shot at being an A-picture filmmaker. “The Secret Invasion,” a 1964 WWII combat picture, … Continue reading →

Those who haven’t gotten the message won’t turn to Apple TV+ to get a clue, but here’s another star-studded attempt at punching through. A thriller series about the coming calamity. March 17.

Pity they changed the title from the more poetic “Song of the Assassins,” which is what it was called in China. Wirework and wilder than wild fights? Mark me “present.” This bad boy comes out March 3.

Was this what Netflix was thinking in serving up its overlong supernatural action comedy, “We Have a Ghost?” They won’t need to keep the streaming rights to “Ghost,” “Ghostbusters” or “Monster House.” They don’t have to wish they had Disney’s … Continue reading →

Michael B. Jordan makes his directing debut in “Creed III,” his third acting outing in the never-ending “Rocky” saga, the first without founding father Sylvester Stallone on screen. And the movie he gives us is quiet, almost stately, a real … Continue reading →

Vietnam War literature is where we first heard the combat infantry expression “thousand yard stare.” It’s entered the war lit/war film lexicon as shorthand for the soldier whose eyes reflect the exhausted wariness of anybody too long “in country.” But … Continue reading →

My stars and garters, I lost COUNT of the number of times I muttered “They did NOT just go THERE” while watching “Cocaine Bear.” I haven’t seen this many cocaine jokes since “Saturday Night Live” in the ’80s. And the … Continue reading →

A daughter comes home to be at her aged, ailing father’s side to hear his lasdtbrewuesr. That she help him end his life Look for this one in mid April.

It’s worth applying the Hippocratic Oath when considering the quality, veracity and messaging of any “faith based film.” “First, do no harm,” Hippocrates preached. The angry, divisive tone of “God’s Not Dead,” “Left Behind” and too many films that ride … Continue reading →