Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: “Blue is the Warmest Color”

Say this for “Blue is the Warmest Color”, the Cannes award winner that is as famous for its long, explicit sex scenes as it is for its honors and actresses. It earns the NC-17 rating the MPAA imposed on it. … Continue reading →

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Preview: Liam Neeson is in action at 40,000 feet in “Non Stop”

This is an interesting direction for Liam Neeson’s career to settle into — man of action, Mr. “Taken” and “A-Team.” In “Non Stop,” he’s a U.S. Air Marshal whose flight has a murderer/blackmailer on board. Julianne Moore looks like the … Continue reading →

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Next Interviews: Questions for Michael Douglas or Mary Steenburgen?

Say this for “Last Vegas.” CBS Films didn’t scrimp on cast, baby. FIVE Oscar winners star in this comedy about old men, lifelong pals “from the neighborhood,” gathering in Vegas to celebrate the marriage of one of their ranks. Michael … Continue reading →

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Box Office: “Gravity” soars, “Carrie” uhh, bleeds out

Another great weekend for “Gravity,” which holds 3D IMAX screens captive and appears to have enough staying power to do top five well into November. Over $30 million this weekend. “Captain Phillips” had a good “hold,” as the Box Office … Continue reading →

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Preview: Jason Statham takes care of a Meth-lord in “Homefront”

James Franco gets to play the bad guy — and didn’t you see that coming? — in “Homefront,” what looks to be a standard issue Jason Statham actioner about a very tough and accomplished guy, trying to keep on the … Continue reading →

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Movie Review: “Concussion” turns “Desperate Housewives” gay

Erotic, but about more than the sex, droll, but about more than witty lines and cutting observations by and about bored suburban moms, “Concussion” is a most promising first feature from writer-director Stacie Passon. It’s well-acted, sometimes poignant and occasionally … Continue reading →

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Box Office: “Gravity” fails to fall to Earth, “Carrie” opens OK, “Phillips” sinks…a bit

Alfonso Cuaron’s “Gravity” is doing gangbuster’s business on this, its third weekend. Another $28-30 million. It is hanging onto audience share and rolling towards $200 million, with no end in sight. $350, maybe? “Carrie,” despite botched marketing (Screen Gems didn’t … Continue reading →

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Movie Review: “Broadway Idiot”

Getting a Broadway show on its feet and up and running is a journey often fraught with drama, hurt feelings and failure. Happy endings are rare and best appreciated if we know the struggle, revisions, hard work and tough casting … Continue reading →

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Weekend Movies: Great reviews for “Slave,” “All is Lost,” middling for “Escape,” “Carrie”, “Fifth Estate”

Oscar contenders are peppering most weekends this October, pretty unusual for Hollywood to roll them out, en masse, pre-Thanksgiving, but there are more to come, so have at it. “12 Years a Slave” is the best picture contender to beat … Continue reading →

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Movie Review: “Carrie” gets updated and watered down

More horrific than scary, director Kimberly Peirce (“Girls Don’t Cry”) sees Stephen King’s “Carrie” through the lens of today’s bullying epidemic and all the hand-wringing that has followed it. This remake of the film that made Brian DePalma famous — … Continue reading →

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