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- Movie Review: Love, Sex and Steroids in Affluent Italia -- "Love Me, Love Me"
- Netflixable? The "Son-in-Law" -- His Corrupt Rise and Fall
- Documentary Review: A "Caterpillar" figures a change in Eye Color will Make him a Butterfly
- Movie Review: Injured on a Hike, Pondering what it means "To Die Alone"
- Movie Review: A Swiss Mom Takes Lovers to Fool Her son about his father -- "Let Me Go"
- Movie Review: "Der Tiger" ("The Tank") Lumbers down a Too-Familiar Path
- Movie Review: Inquest into a career-killer -- "The Accidental Husband"
- Classic Film Review: 1954's CIA-backed "Animal Farm"
- Classic Film Review: Lost in the desert, and the cinema netherworld of 1974 -- "The Little Prince"
- Movie Review: Good Gawd, Gosling! "Project Hail Mary"
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Author Archives: Roger Moore
Movie Preview: Ken Jeong moves the Fam to rural Wyoming — “A Great Divide”
San Fran sophisticates experience culture shock and xenophobia out in the Red State West. Dr. Ken does his thing. Could be cute and biting.
Posted in Reviews, previews, profiles and movie news
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Movie Review: Liev Schreiber broods beautifully in Hemingway’s “Across the River and Into the Trees”
“Across the River and Into the Trees” presents Liev Schreiber as the latest Ernest Hemingway literary alter ego to make it to the screen, and perhaps the best ever at capturing the world weariness of the late life, post-World War … Continue reading
Classic Film Review: Welles’ “Othello,” a Masterpiece in Black and White and Blackface
The lore and backstory behind Orson Welles‘ years-in-the-making production of “The Tragedy of Othello, the Moor of Venice” has come to overwhelm the movie itself. He was so strapped for funds, filming this in Europe as his American directing career … Continue reading
Posted in Reviews, previews, profiles and movie news
Tagged classic-film-review, micheal-macliammoir, orson-welles, othello, shakespeare, theatre, tubi, william-shakespeare
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Movie Preview: Ben Kingsley makes a scary overture to “William Tell”
Switzerland’s mythic hero, subject of a Frederich Schiller play nobody produces and Rossini opera nobody presents and yet whose overture is one of the most famous warhorses (classics everybody knows) in classical music, gets another Swiss “Robin Hood” style film … Continue reading
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BOX OFFICE: “Venom” loses HALF of its fangs, “Here” is barely There, “Absolution” can’t pay for its sins
A steep drop-off for the final film of Tom Hardy’s “Venom” trilogy was always in order. These movies have sucked, and by the second weekend, the supply of filmgoers who might go plunges and “repeat business,” even for comic book … Continue reading
Posted in Reviews, previews, profiles and movie news
Tagged box-office, fiennes, liam-neeson, marvel, movie-reviews, movies, tom-hardy, venom, zemeckis
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N.C. Symphony concert night, because Cinephiles love Holst
There were only eight known planets in the solar system when Gustav Holst composed his orchestral suite, consisting of seven tone poems (leaving out Earth, and before Neil DeGrasse Tyson killed “Pluto”) in the middle of World War I. This … Continue reading
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Avengers…ASSEMBLE! A reunion?
Sure. Well, it’s the actors who STARRED as “The Avengers.” They have a message for America, too.
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Netflixable? Troubled Swedish Family has to “Let Go” to break-up
Swedish actress, screenwriter and director Josephine Bornebusch conjures up a downbeat star vehicle for herself with “Let Go,” about a dysfunctional family’s trip to support their sixteen year-old in a pole-dancing competition. Sweden, right? There’s a catatonic grandfather to visit, … Continue reading
Posted in Reviews, previews, profiles and movie news
Tagged books, family, fiction, marriage-counseiling, sweden, travel
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Movie Preview: Reinventing the Haunted House Genre? “Presence”
The trailer is creepy enough, although the hyped quotes pushing this January release seem to be a collective over-reach. But maybe it’s all that. Certainly looks a step or two above your average weekly and ever-so-generic horror offering.
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Movie Review: A “Gump” sized Gimmick in Search of a Movie — “Here”
“Here” is such an empty cinematic experience that it summons up everything you ever hated about a Robert Zemeckis movie and the Zemeckis “style.” An Oscar winner with enduring classics scattered across his resume — “Cast Away,” “Back to the … Continue reading
Posted in Reviews, previews, profiles and movie news
Tagged drama, film, movies, robert-zemeckis, robin-wright, tom-hanks
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