Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Netflixable? “Catching Feelings” finds South African twists on modern romance

There’s emotional satisfaction in hating. It helps one cope with the Curse of Relative Deprivation. “Why am I here while this rich, no-talent so-and-so is out living a better version of my life?” You know. That. And Max, the hero … Continue reading →

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Netflixable? “Locked Up” takes “Locked-up Abroad” to the next (laughable) level

Life would be tough enough for Mallory, a pale freckled redhead in boarding school in Bangkok. She crossed the Russian Mean Girl at school, the sort who cracks her knuckles after bloodying Mallory’s nose, hits her with “Hey, Snitch, I swear to … Continue reading →

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Documentary Review: “Path of Blood”

It’s hard to know what to make of “Path of Blood.” The documentary begins with Islamic fanatics and narration underscoring efforts to create, or recreate “a global Muslim empire,” of making war on “the Crusaders.” That would be us. And … Continue reading →

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Movie Review: Van Damme and Dolph reunite and founder together in “Black Water”

What do the stars of the “Universal Soldier” film series have in common with “Brokeback Mountain” cowboys? Jean-Claude Van Damme, the onetime “Muscles from Brussels,” and Dolph Lundgren, the “Siberian (Stockholm, actually) Express,” just can’t quit each other. They reunite yet … Continue reading →

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Netflixable? A dying mom and her coping gay son would be fine if it weren’t for “Other People”

Jesse Plemons is that fleshy redhead who shows up in a movie and makes you go, “Oh, it’s that GUY.” He was the scary square cop from “Game Night,” the square too-young lawyer in “The Post,” a green cavalry trooper … Continue reading →

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BOX OFFICE: “Hereditary” gives A24 a taste of big box office, “Ocean’s 8” clears $41

“Deadpool 2” is closing in on $300 million, “Avengers: Infinity War” is within range of $675. And “Solo” is sinking faster than you can say “familiarity breeds contempt.” But the big news of the weekend is the distaff “Ocean’s 11” … Continue reading →

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Netflixable? “Alex Strangelove” has a rather dull Coming Out Party

I think it’s safe to say that Netflix has found itself a niche, teen comedies with a sexual edge, “raw dog” high school sex farces. “The Kissing Booth” too demure for you kids? “F*&% the Prom” too subtle? Are they … Continue reading →

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Preview, “The Predator” we’ve been waiting for?

Fans of serious cinema do not give a rat’s left bum cheek about “Predator,” in any incarnation. With good reason. The hilariously arch original produced two delusionally macho and feckless governors, and a slew of Godawful sequels. A new reboot? … Continue reading →

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Preview, Ryan Gosling is Neil Armstrong, “First Man”

“Whiplash” and “La La Land” director Damien Chazelle’s take on the intensely private, brave and astrophysicist-smart First Man on the Moon promises something more than nostalgia for the age when America was Truly Great. When we did Great Things, took … Continue reading →

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BOX OFFICE: The ladies thump the lads, “Oceans 8” nabs the heist picture record

All those Clooney, Pitt, Damon et al “Oceans 11” remakes. And all it took to best their best opening weekend was Sandra Bullock, Anne Hathaway, Cate Blanchett and Rihanna — and Helena Bonham Carter, Mindy Kaling, Awkwafina and Sarah Paulson. … Continue reading →

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