Tag Archives: Reviews

Movie Review: Adrift in the Working Class Underbelly of Oz — “Flathead”

“Flathead” is an Australian docudrama peek into the country’s hidden-in-plain-sight underclass. It takes its title from a popular fish Down Under, one of the foodstuffs we see processed, picked, packed and prepared by the migratory workers of many cultures, a … Continue reading →

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Movie Review: Slovenia’s Hope for an Oscar? Catholic Choral “Little Trouble Girls”

“Little Trouble Girls” is a conventional girls’ coming-of-age tale whose clever twist is equating sexual awakening with spiritual awakening, at least in the eyes and ears of an impressionable teen. Slovenia’s bid for a Best International Feature Film Oscar covers … Continue reading →

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Movie Review: A Beloved Child Inspires a Grand Tragedy — “Hamnet”

The greatest play in the English language was born of father and mother’s wrenching loss of their firstborn son. That’s the premise of Maggie O’Farrell’s historical novel “Hamnet,” now turned into an intimate Chloé Zhao period piece about a child’s … Continue reading →

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Movie Review: Taipei’s a Challenge for a young “Left Handed Girl”

The team that made the American underclass gems “Take Out,” “Tangerine” and “The Florida Project” turn their eyes to Tapei for their latest, a story of a child growing up in economic hardship and family dysfunction in the anything-for-sale markets … Continue reading →

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Classic Film Review: McDowell, Warner and Steenburgen Travel with H.G. Wells — “Time After Time” (1979)

The acid test for any beloved film from the past is “How does it hold up?” In the case of the sentimental crowd-pleasing “Time After Time” from 1979, the answer is “pretty well.” I remember being almost giddy leaving the … Continue reading →

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Movie Review: A New Yorker widowed by a Police Shooting seeks Justice in “Aftershock: The Nicole P. Bell Story”

An infamous police shooting leads to trials and a search for justice that doesn’t end in a courtroom in “Aftershock” The Nicole P. Bell Story.” It’s a sturdy, often moving fil built aroud Rayven Symone Ferrell’s affecting performance in the … Continue reading →

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Documentary Review: Australia’s Oscar hopes rely on Mongolians who know “The Wolves Always Come at Night”

“The Wolves Always Come at Night” is an evocative immersion in a dying way of life, that of nomadic Mongolian goat, horse and cattle herders. Gabrielle Brady’s documentary captures the stark beauty of the treeless brownscape of the Mongolian steppes, … Continue reading →

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Movie Review: A Mother’s Past and Present Blur “When Fall is Coming”

François Ozon has to be the French cinema’s premier poker player. With his genre-bending/expectations-upending dramas (“Everything Went Fine”), dramedies (“In the House”), feminist comedies (“Potiche”) and musical drama mysteries (“8 Women”), you’d hate to be seated at the same table … Continue reading →

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Netflixable? “Being Eddie” is how Murphy wants you to See Him

Eddie Murphy has a lot to be satisfied with. A gifted mimic turned overnight stand-up star, famous since his teen years on “Saturday Night Live,” a ground-breaking African American superstar of the screen, for decades one of the biggest box … Continue reading →

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Classic Film Review: Lesser Lubitsch, a “Heaven Can Wait” (1943) that Bores

When we think of the Hollywood comedies by the great German expat Ernst Lubitsch, we remember Garbo at her drollest, a Bolshevik who falls in love in “Ninotchka,” the doors-slamming-on-Nazis backstage farce “To Be or Not to Be” and the … Continue reading →

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