Tag Archives: Reviews

Documentary Review: Australia’s Oscar hopes rely on Mongolians who know “The Wolves Always Come at Night”

“The Wolves Always Come at Night” is an evocative immersion in a dying way of life, that of nomadic Mongolian goat, horse and cattle herders. Gabrielle Brady’s documentary captures the stark beauty of the treeless brownscape of the Mongolian steppes, … Continue reading →

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Movie Review: A Mother’s Past and Present Blur “When Fall is Coming”

François Ozon has to be the French cinema’s premier poker player. With his genre-bending/expectations-upending dramas (“Everything Went Fine”), dramedies (“In the House”), feminist comedies (“Potiche”) and musical drama mysteries (“8 Women”), you’d hate to be seated at the same table … Continue reading →

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Netflixable? “Being Eddie” is how Murphy wants you to See Him

Eddie Murphy has a lot to be satisfied with. A gifted mimic turned overnight stand-up star, famous since his teen years on “Saturday Night Live,” a ground-breaking African American superstar of the screen, for decades one of the biggest box … Continue reading →

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Classic Film Review: Lesser Lubitsch, a “Heaven Can Wait” (1943) that Bores

When we think of the Hollywood comedies by the great German expat Ernst Lubitsch, we remember Garbo at her drollest, a Bolshevik who falls in love in “Ninotchka,” the doors-slamming-on-Nazis backstage farce “To Be or Not to Be” and the … Continue reading →

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Movie Review: Dolph and Michael Jai White roll their eyes at the Dork who says he’s “the best” — “Exit Protocol”

You’d think these sorts of things would be figured out at a table read, if not in the audition. Give your leading man his pages, make him read some of the fifth rate Raymond Chandler “tough guy” voice-over narration you … Continue reading →

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Movie Review: Why pull the trigger when “The Old Woman with the Knife” is available?

“The Old Woman with the Knife” is a Korean variation on the World of Assassins tale, where killing for hire is a business with professionals assigned out of offices and following “rules.” It’s another story of an aged killer competing … Continue reading →

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Movie Review: Every Heist needs “The Mastermind” to Plan It

Grey skies, a “cool jazz” score and sketchy characters are selling points of “The Mastermind,” a ’70s period piece infused with the “grit” aficionados associate with the films of that benighted decade. It looks the way fall thrillers, even dryly … Continue reading →

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Movie Review: Louis Mandylor commits another War (Movie) Atrocity — “Prisoner of War”

The director and star of the most laughably under-researched WWII action pic in ages strikes again with “Prisoner of War,” a Scott Adkins martial arts star vehicle that puts a kickboxing RAF pilot on the Bataan Peninsula of the Philippines … Continue reading →

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Classic Film Review: Quintessential Keaton, Parenting with a Feminist Message — “Baby Boom” (1987)

The death of Diane Keaton over the weekend had a lot of us poking around streaming services, hunting for something to remind us of what made the Oscar winner an icon of her era. We settled into “Baby Boom” in … Continue reading →

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Classic Film Review: An Ealing Comedy of Capital and Labor and “The Man in the White Suit” (1951)

In the years after “The War,” Britons got back to indulging the quirkier aspects of a national character that “Keep Calm and Carry On” had superceded, at least as far as “Fritz” and his “Bloodthirsty Guttersnipe” gang were concerned. The … Continue reading →

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