Tag Archives: Reviews

Movie Review: A Father seeks Justice and Answers about his Murdered Child — “Barron’s Cove”

Posted on August 4, 2025 by Roger Moore

Screenwriter Evan Ari Kelman wrote a script — “Barron’s Cove” — that made “The Black List,” a survey of studio folks who vote on the “most liked” unproduced scripts they’ve read in a given year. In eventually making the sale … Continue reading →

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Documentary Review: “Sunday Best: The Untold Story of Ed Sullivan” and how a TV host Changed America

Posted on August 3, 2025 by Roger Moore

He wasn’t a natural “performer.” Ed Sullivan had a face made for radio and voice best appreciated in print, where he’d gained fame as a Broadway columnist and sportswriter. Stiff, later somewhat stooped, with odd vocal cadences and a fear … Continue reading →

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Classic Film Review: Burt, Booty, Brigands and Brigantines — “The Crimson Pirate” (1952)

Posted on July 28, 2025 by Roger Moore

“The Crimson Pirate?” Yarrrrr, there’s a pirate picture with teeth! Gore Verbinski borrowed from a parade of pirate movies when he concocted Disney’s “Pirates of the Caribbean” franhcise, none more than this jaunty romp from 1952. Warner Bros. gave star … Continue reading →

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Netflixable? Sandler’s back in the Sandtrap — “Happy Gilmore 2”

Posted on July 26, 2025 by Roger Moore

Any hopes that Adam Sandler would use his Netflix contract to remake himself in movies like “Hustle” or “The Meyerowitz Stories”were dashed a couple of “Murder Mysteries” ago. But he’s still doing numbers for the streamer, as his audience aged … Continue reading →

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Documentary Review: “It’s Never Over, Jeff Buckley”

Posted on July 24, 2025 by Roger Moore

Filmed appreciations of potentially great artists who “die young and leave a beautiful corpse” are many. If these post mortems have a common thread, it’s the difficulty in separating the myth from the musician, painter, actor or writer. And the … Continue reading →

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Classic Film Review: Weir, Ford and McGillis make The Greatest Romantic Thriller of the ’80s — “Witness” (1985)

Posted on July 17, 2025 by Roger Moore

The barn-raising scene in Peter Weir’s masterpiece, “Witness,” is one of the most perfect pieces of pure cinema the movies have ever produced. Beautifully conceived, shot (by future Oscar winner John Seale), edited (by Oscar winner Thom Noble) and scored … Continue reading →

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Movie Review: As “Indie” as they come — “AJ Goes to the Dog Park”

Posted on July 15, 2025 by Roger Moore

“AJ Goes to the Dog Park” is a cheerfully cheesy semi-surreal indie film about what one dopey chihuahua owner will go through to get his dog park back. It’s twee in the extreme, with the occasional sophisticated effect — “No … Continue reading →

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Netflixable? Tyler Perry’s Back in Drag for “Madea’s Destination Wedding”

Posted on July 13, 2025 by Roger Moore

You just know that what few conditions Netflix probably had in the big fat contract it gave the prolific Tyler Perry, one of them was “Give us a Madea movie every now and then.” Because even if his hilariously outspoken … Continue reading →

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Netflixable? Dutch Duo are on the case as “Almost Cops”

Posted on July 12, 2025 by Roger Moore

The Dutch word for “buddy picture” is “vriendenfilm.” They take their shot at the genre with a cop/buddy action comedy, “Almost Cops,” whose title in Dutch is “Bad Boas,” a cute pun. That’s funnier than anything in this stunningly unsurprising … Continue reading →

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Netflixable? A “Trainwreck” documentary remembers “The Real ‘Project X'”

Posted on July 10, 2025 by Roger Moore

It was just a movie, but those of us who saw it and brought an adult persective to reviewing “Project X” back in 2012 picked up on the ante it was upping. Decades of raucus youth party pictures, from “Animal … Continue reading →

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