Tag Archives: film

Netflixable? Millie Bobby meets The Russo Brothers — “The Electric State”

Posted on March 17, 2025 by Roger Moore

If it takes the bottomless checkbook of Netflix to finally make the fangirls and fanboys recognize what merde merchants the filmmaking Russo brothers are, so be it. Famed for making the expensive trains run on time in effects heavy Marvel … Continue reading →

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Movie Review: Noisy Zombies spoil the Peace and Quiet of “Silent Zone”

Posted on March 16, 2025 by Roger Moore

There was a time when zombies were slow and the movies about them were quick. The walking dead would lurch into sight and characters would have to go out of their way to trip or somehow be trapped by the … Continue reading →

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Movie Review: Prospective Parents Olsen and Patel quake at “The Assessment” by Alicia Vikander

Posted on March 13, 2025 by Roger Moore

“The Assessment” is smart and sinister sci-fi of “The Handmaids Tale” school, a striking, minimalist parable about humanity’s failings in facing an inhumane future. A geographically and architecturally stark setting hosts a grim lecture on family, population and the psychology … Continue reading →

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Classic Film Review: Not all Hackman “classics” are created equal — “The Domino Principle” (1977)

Posted on March 9, 2025 by Roger Moore

Some vintage cinema you begin watching with the idea that you’re to see a “classic” featuring an Oscar winner, a famed producer/director and a handful of legends of the big and small screen. And some of those movies remind you … Continue reading →

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Movie Review: R. Patts is Labor at its Most Disposable — “Mickey 17”

Posted on March 7, 2025 by Roger Moore

Oscar winner Bong Joon Ho’s latest film is an arch sci-fi parable about the troubled world we live in. An Earth-born colonist/laborer on the distant planet Nilfheim has been recruited by a charismatic but dimwitted poseur/ex-senator/cult-leader whose “propogate the species” … Continue reading →

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Classic Film Review: Still a hoot — Mssr. Belmondo’s Holiday — “That Man from Rio (L’homme de Rio)” (1964)

Posted on March 5, 2025 by Roger Moore

Adrien, dashing from 1960s Rio de Janiero to Brasilia, the then new capital of Brazil, in a pink 1929 Chrysler 75 adored with green stars, pulls over at the first modernist police station he spies. He steps out of the … Continue reading →

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Movie Review: Pop Starlet Samara just keeps pushing Nutty Fan’s “love” over the “Borderline”

Posted on March 5, 2025 by Roger Moore

Samara Weaving is a Madonna-esque pop superstar stalked by Ray Nicholson in his father Jack’s full “Here’s JOHNNY!” nutjob mode in “Borderline,” a violent and crazed comedy about celebrity and the delusions it feeds to those who have it and … Continue reading →

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Classic Film Review: Herzog’s “Cannes Darling” “Woyzek” (1979)

Posted on February 24, 2025 by Roger Moore

The great German director Werner Herzog and his muse, Klaus Kinski, marched through three films together in their peak years, 1978-82. “Nosferatu the Vampyr” was a hit, and “Fitzcarraldo” was a career-defining epic for both director and star, an ordeal … Continue reading →

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Movie Review: A Young Hitman is tested by “Old Guy” Christoph Waltz, his Mentor

Posted on February 23, 2025 by Roger Moore

Hitman thrillers long ago ran out of anything new to do with the genre, lapsing into glib sometime after “La Femme Nikita” back in the ’90s. Nowadays, “glib” isn’t enough. If you’re not aiming for “flippant” like 1974’s “Thunderbolt and … Continue reading →

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Movie Review: A Master Mocks Yakuza Hit-Man Movies — “Broken Rage”

Posted on February 20, 2025 by Roger Moore

Leave it to Beat Takeshi to ridicule the cinematic elephantiasis that has even the Great Scorsese pushing the limits of how long a night out at the movies should last. And that Brady Corbet “Brutalist” guy? Three and a half … Continue reading →

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