Tag Archives: comedy

Movie Review: Pascal, Reaser, Sewell and Goggins as Hollywood “types” face their future and their humanity when they meet “The Uninvited”

Posted on April 5, 2025 by Roger Moore

Some indie films confound the viewer with a “What did these actors see in THIS?” connundrum. But not “The Uninvited.” What looks like another onanistic Hollywood-skewers-Hollywood dramedy set in a tony Hollywood Hills party is actually a priorities-questioning, expectations-upending and … Continue reading →

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Classic Film Review: Serious and Seldom Seen Sellers — “The Blockhouse” (1973)

Posted on March 27, 2025 by Roger Moore

Filmed on the whim of a liquor empire heir, a “true story” whose German Army WWII victims were changed to French and citizens of other occupied countries, “The Blockhouse” is one of the strangest titles in the later, quixotic career … Continue reading →

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Movie Review: A Master Mocks Yakuza Hit-Man Movies — “Broken Rage”

Posted on February 20, 2025 by Roger Moore

Leave it to Beat Takeshi to ridicule the cinematic elephantiasis that has even the Great Scorsese pushing the limits of how long a night out at the movies should last. And that Brady Corbet “Brutalist” guy? Three and a half … Continue reading →

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Netflixable? Amy Schumer toys with being “Kinda Pregnant”

Posted on February 7, 2025 by Roger Moore

It seem unfair that Amy Schumer‘s moment as America’s resident vulgarian and Queen of Crude has passed. We barely remember she was the Oscars hostess the night Will Smith slapped Chris Rock, that “Trainwreck” came out ten years ago and … Continue reading →

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Movie Review: It’s a wedding, and Reese, Celia, Meredith, Geraldine and Will say “You’re Cordially Invited,” Y’all

Posted on January 31, 2025 by Roger Moore

“Commitment” is a cornerstone of the marriage contract. And it’s damned important in a romantic comedy about marriages as well. Say this for the cast of writer-director Nicholas Stoller’s “You’re Cordially Invited.” These kids — and Will Ferrell and Reese … Continue reading →

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Classic Film Review: Cleese shows us Classic Comedy can be “Clockwise” (1986)

Posted on December 22, 2024 by Roger Moore

A person hellbent on maintaining his dignity in the face of everything thrown at him to deny it, and failing, is the essence of comedy. So it was with Keaton, and so it is with Cleese. Somebody said that once. … Continue reading →

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Classic Film Review: Cary Grant Saunters into the Sunset, in his boxers — “Walk Don’t Run” (1966)

Posted on December 18, 2024 by Roger Moore

There’s an inspired silliness to the Technicolor bon bon “Walk Don’t Run,” the final film in Cary Grant’s legendary Hollywood career. Surely a mere screenwriter — TV veteran (“Bewitched”) Sol Saks in this case — can’t have been the one … Continue reading →

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Classic Film Review: Chaplin’s ode to a Dying Corner of Comedy — “Limelight”

Posted on December 17, 2024 by Roger Moore

Memory is a merciful thing when it comes movies. We remember the grand moments in films, the signature bits, and much of what’s less moving, entertaining or important just drifts away. Charlie Chaplin had become Charles Chaplin long before “Limelight,” … Continue reading →

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Movie Review: An Old West Sheriff sees Dead People — “Ghosts of Red Ridge”

Posted on November 28, 2024 by Roger Moore

“Ghosts of Red Ridge” is a low-budget Western that tries to be a ghost story. It’s not anything to write home about in either genre. There’s some nice lived-in detail in the locations, the dusty, dirty costumes and almost-colorful characters. … Continue reading →

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Classic Film Review: Looking for Lean Laughs from “Blithe Spirit” (1945)

Posted on November 26, 2024 by Roger Moore

The shifting sands of editor-turned-director David Lean‘s career took him through early adaptations of Noël Coward scripts, included some definitive adaptations of Charles Dickens and eventually settled on the sweeping epics which is he best known for today — “Bridge … Continue reading →

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