Tag Archives: classic-film-review

Classic Film Review: Lost in the Lush Longueurs of “Paris, Texas”(1984)

One has learned to temper one’s expectations when settling in to watch any Palme d’Or winner from the Cannes Film Festival over the years. One has. A “best picture” honor selected by an ever-changing jury of filmmaking peers from all … Continue reading

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Classic Film Review: A Theatrical Cold War Anecdote turned TV Bon Bon — “An Englishman Abroad”

An actress on tour with “Hamlet” is “recruited” by Britain’s most notorious spy in 1950s Moscow in “An Englishman Abroad,” a delightfully droll tragi-comedy from the writer who gave us “The Madness of King George,” “The Lady in the Van” … Continue reading

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Classic Film Review: McDowell, Warner and Steenburgen Travel with H.G. Wells — “Time After Time” (1979)

The acid test for any beloved film from the past is “How does it hold up?” In the case of the sentimental crowd-pleasing “Time After Time” from 1979, the answer is “pretty well.” I remember being almost giddy leaving the … Continue reading

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Classic Film Review: Lonsdale hunts Fox in Zimmerman’s “The Day of the Jackal” (1973)

Pristine, sleek and stylish, “The Day of the Jackal” is a period piece that’s aged into a period piece about a period piece. Director Fred Zinnemann’s film of Frederick Forsythe’s thriller novel recreates chic early ’60s Euro-travel, wining and dining … Continue reading

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Classic Film Review: An Ealing Comedy of Capital and Labor and “The Man in the White Suit” (1951)

In the years after “The War,” Britons got back to indulging the quirkier aspects of a national character that “Keep Calm and Carry On” had superceded, at least as far as “Fritz” and his “Bloodthirsty Guttersnipe” gang were concerned. The … Continue reading

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Classic Film Review: Godard, Bardot, Palance and “The Odyssey” — “Contempt” (1963)

Jean-Luc Godard, the most-analyzed, dissected and critiqued auteur of his generation makes his grand statement on the compromises and sell-outs required by salope déesse cinema with “Contempt,” his biggest-ever hit, a movie about making movies. The critic turned cinematic revolutionary … Continue reading

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Classic Film Review: Anna May Wong is the “Lady from Chungking” (1942)

Anna May Wong, the first Chinese American movie star, was already famous — a Hollywood mainstay since the silent film era who first appeared on screen at 14 back in 1919 — when World War II broke out. With the … Continue reading

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Classic Film Review: Weir, Ford and McGillis make The Greatest Romantic Thriller of the ’80s — “Witness” (1985)

The barn-raising scene in Peter Weir’s masterpiece, “Witness,” is one of the most perfect pieces of pure cinema the movies have ever produced. Beautifully conceived, shot (by future Oscar winner John Seale), edited (by Oscar winner Thom Noble) and scored … Continue reading

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Classic Film Review: Coming of Age with a Kestrel — “Kes” (1970)

“Kes,” the break-out feature of Ken Loach, is an unblinking, unsentimental coming-of-age tale about a boy and his kestrel. It’s a Yorkshire “Yearling” from one of the greatest “kitchen sink realists” the British cinema produced, and one of the last. … Continue reading

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Classic Film Review: An English Child’s Eye View of WWII — “Hope and Glory

There’s a glorious nostalgia to the great British director John Boorman’s World War II memoir, “Hope and Glory.” The sentiment is what sticks with you, a naive child’s memories of not the fear, violence and loss, but of the freedom, … Continue reading

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