Movie Review: “Hope Springs”

You’ve never seen Meryl Streep and Tommy Lee Jones quite like this.

As old marrieds facing “intensive” couples counseling over their comatose sexual relationship, two of America’s finest screen actors are by turns silly, befuddled, awkward and confused.

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And “Hope Springs,” the new comedy from the director of “The Devil Wears Prada” and scripted by a “Game of Thrones” writer is all the more amusing for it. Seeing the best in the business act out the no-eye-contact body language, the embarrassment of talking about life’s most intimate details, and alternately grump or whimper about it gives this fluffy comedy a tiny dose of gravitas.

It’s funny, but it’s not the farce you might expect when you learn Steve Carell is the frank, soft-spoken couples counselor that Kate (Streep) insists that she and Arnold (Jones) visit up in Great Hope Springs, Maine. Carell doesn’t go for laughs. In even tones delivered with barely a hint of humor, he reassures Kate and calms down Arnold.

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Movie Review: “Larry Crowne”

We haven’t seen Tom Hanks or Julia Roberts in a movie like “Larry Crowne” in decades.When you’ve got “Oscar winner” and “blockbuster hits” on your resume, feather-light character comedies fall off your radar.

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Movie Review: “This is 40”

2starsStupid freaking Judd Apatow, with his stupid freaking foul-mouthed and sentimental “Hobbit” length comedies, his stupid freaking insistence on not only peopling them with his old comic cronies, but his wife and cursing kids.

Happy freaking R-rated holidays, America. Here’s your “Meet the Parents” this year — longer and less funny.

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Movie Nation Interview: Gearhead Dax Shepard

 Image

Boy, it sure looks like Dax Shepard is doing all his own crazy, gonzo stunt-driving in “Hit and Run,” the car-chase comedy he wrote and co-directed.

“All me, 100%,” he says.

You know how you can tell? Look in the eyes of his co-star and off-camera fiance, Kristen Bell. Yeah, she’s in the car with him in those scenes. And no, she wasn’t scared.

“Dax has always been in to off-roading, so I’ve logged many hours with him in the car doing crazy tricks,” Bell says. “I know how capable he is behind the wheel but I’m so used to it by now it doesn’t even phase me.”

Shepard is a genuine Hollywood gearhead, a guy who loves his ’67 suicide doors two-door Lincoln so much he co-stars in the movie with it, a racer of motorcycles and dune buggies (yeah, he uses his own Baja racer in the movie, too).

“I’ve had this car thing since birth,” the Michigan native says. “My dad sold cars and he was into dirt bikes. He raced Chevelles in high school. He had this super cool jacked-up truck we’d go to the sand dunes with. His buddies had dune buggies.

“My mom remarried, to an engineer at the Corvette Group at GM. So I’ve always been surrounded by really amazing cars, especially since my step-dad had access to the Corvette Group’s competitive fleet that they could compare themselves to — a Lamboughini Countach, a Lotus Esprit, Ferrari 308. Can you imagine being around those cars as a kid?”

It could scar a boy for life. Shepard, 37, still hasn’t gotten over it.

“I love car chase movies, and there have been some made over the past 30 years,” he says. “But not car chase comedies. Those disappeared with the Hal Needham movies. The ‘Cannonball’ movies, ‘Hooper.’ ‘Smokey and the Bandit’ is one of my favorites. I see that a couple of times a year — seen it hundreds of times.”

So Shepard, star of TV’s “Parenthood,” scene-stealer of “Baby Mama” and heart-stealer (he met Bell) of “When in Rome,” wanted to update the genre.

“I’m this weird mix — an actor, a comedian, a gun owning liberal and a gearhead. I thought, ‘I want to bring ALL those contradictions to a movie and see how it plays.'”

Shepard complains that he’s “too big” for the vintage Triumph TR5 he drives on “Parenthood.” He fell in love with the villain’s car in “Hit and Run,” a Cadillac CTS-V station wagon driven by a murderous and dreadlocked Bradley Cooper, playing the guy Shepard’s character went into witness protection to avoid.

“The fact that we, in the U.S., are making a 550 hp STATION wagon tells me we’re still WINNING. Only a great country could make that.”

And only a “VERY cool, very trusting” fiance would ride shotgun whilst Dax does his donuts, burn-outs and high-speed pursuits in “Hit and Run.”

“We literally drove THROUGH a barn door — blind — and hit a ramp on the other side for this stunt,” Shepard says. “That is not for the faint of heart. And she’s a trooper.”

But Bell, like many of her Hollywood peers, drives a Prius. How does the front-half of the Hollywood couple who nicknamed themselves “Krax,” in the tradition of Brangelina and Bennifer, stand it?

“I very much respect how much Dax is into cars not because I share his love but because I see how happy the hobby makes him,” she says.

And Shepard? He says he knows he’s lucky to have this “ray of light” in his life, and all these friends he could call on whenever he wants to make a good car chase picture.

“I think as people get busy with their Hollywood work, where you have to do so much so strategic plotting in your career — get your quote up, get people to notice you, get good work — to (screw) around with friends for six weeks, driving cars too fast is as close to a working vacation as we’re going to get.”

 

 

 

Boy, it sure looks like Dax Shepard is doing all his own crazy, gonzo stunt-driving in “Hit and Run,” the car-chase comedy he wrote and co-directed.

“All me, 100%,” he says.

You know how you can tell? Look in the eyes of his co-star and off-camera fiance, Kristen Bell. Yeah, she’s in the car with him in those scenes. And no, she wasn’t scared.

“Dax has always been in to off-roading, so I’ve logged many hours with him in the car doing crazy tricks,” Bell says. “I know how capable he is behind the wheel but I’m so used to it by now it doesn’t even phase me.”

Shepard is a genuine Hollywood gearhead, a guy who loves his ’67 suicide doors two-door Lincoln so much he co-stars in the movie with it, a racer of motorcycles and dune buggies (yeah, he uses his own Baja racer in the movie, too).

“I’ve had this car thing since birth,” the Michigan native says. “My dad sold cars and he was into dirt bikes. He raced Chevelles in high school. He had this super cool jacked-up truck we’d go to the sand dunes with. His buddies had dune buggies.

“My mom remarried, to an engineer at the Corvette Group at GM. So I’ve always been surrounded by really amazing cars, especially since my step-dad had access to the Corvette Group’s competitive fleet that they could compare themselves to — a Lamboughini Countach, a Lotus Esprit, Ferrari 308. Can you imagine being around those cars as a kid?”

It could scar a boy for life. Shepard, 37, still hasn’t gotten over it.

“I love car chase movies, and there have been some made over the past 30 years,” he says. “But not car chase comedies. Those disappeared with the Hal Needham movies. The ‘Cannonball’ movies, ‘Hooper.’ ‘Smokey and the Bandit’ is one of my favorites. I see that a couple of times a year — seen it hundreds of times.”

So Shepard, star of TV’s “Parenthood,” scene-stealer of “Baby Mama” and heart-stealer (he met Bell) of “When in Rome,” wanted to update the genre.

“I’m this weird mix — an actor, a comedian, a gun owning liberal and a gearhead. I thought, ‘I want to bring ALL those contradictions to a movie and see how it plays.'”

Shepard complains that he’s “too big” for the vintage Triumph TR5 he drives on “Parenthood.” He fell in love with the villain’s car in “Hit and Run,” a Cadillac CTS-V station wagon driven by a murderous and dreadlocked Bradley Cooper, playing the guy Shepard’s character went into witness protection to avoid.

“The fact that we, in the U.S., are making a 550 hp STATION wagon tells me we’re still WINNING. Only a great country could make that.”

And only a “VERY cool, very trusting” fiance would ride shotgun whilst Dax does his donuts, burn-outs and high-speed pursuits in “Hit and Run.”

“We literally drove THROUGH a barn door — blind — and hit a ramp on the other side for this stunt,” Shepard says. “That is not for the faint of heart. And she’s a trooper.”

But Bell, like many of her Hollywood peers, drives a Prius. How does the front-half of the Hollywood couple who nicknamed themselves “Krax,” in the tradition of Brangelina and Bennifer, stand it?

“I very much respect how much Dax is into cars not because I share his love but because I see how happy the hobby makes him,” she says.

And Shepard? He says he knows he’s lucky to have this “ray of light” in his life, and all these friends he could call on whenever he wants to make a good car chase picture.

“I think as people get busy with their Hollywood work, where you have to do so much so strategic plotting in your career — get your quote up, get people to notice you, get good work — to (screw) around with friends for six weeks, driving cars too fast is as close to a working vacation as we’re going to get.”

 

 

 

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Movie Review: “Hit and Run”

2starsIn ancient times, before the phrases “Global Warming” and “Peak Oil” ruined our fun, Hollywood used to make car chase comedies, automotive epics that were more about burnt rubber than good acting. An aspiring director like Ron Howard could launch his career with “Eat My Dust” or “Grand Theft Auto.” Burt Reynolds could slip on a hat and slip behind the wheel and fans would follow “Hooper” and “Smokey and the Bandit” anywhere.

That’s the tradition “Hit and Run” fits into. Hollywood gearhead Dax Shepard, of “Baby Mama” and TV’s “Parenthood” rounded up his fiance and “When in Rome” co-star, Kristen Bell, and a bunch of their friends, piled into a collection of cars — classic and new — and tore up some California backroads in a movie about, well, tearing up the backrooads between remote, rural California and Los Angeles.

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Movie Review: “The Guilt Trip” treats Babs with kid gloves

ImageFor their latest comic trick, Barbra Streisand and Seth Rogen go for something that neither has been known for over the course of their respective careers – cute. With “Guilt Trip,” they’ve made a holiday comedy safer for Streisand’s audience than for Rogen’s, a mild-mannered movie you won’t be embarrassed to take your mom to.

Well, not too embarrassed.

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Movie Review: “Gone”

1half-starHere’s something they don’t teach you in acting school. When you’re making a movie and running for your life, you need to look like it. You need to go all out, eyes wild with fear, arms flailing.

Look like Pierce Brosnan running from this or that explosion in a couple of Bond pictures, like Franka Potente in “Run Lola Run.”
Try not to look like Robert Redford in “The Natural,” guarded, scared of falling, an old man pretending to be a young man running through a wheat field.

Amanda Seyfried is a manic, paranoid survivor of a “Silence of the Lambs” serial killer in “Gone.” She lived to tell the tale. She’s sure that her sister (Emily Wickersham) has been kidnapped by the same guy, that she only has until sunset before sister Molly is killed.

And not for one second do you believe Seyfried is manic. A fine actress on most occasions, here she’s loping along like the pretty girl scared of mussing her hair and makeup in gym class. There’s nothing in the film — which lacks urgency — or her eyes or physical demeanor that suggests panic, fear, desperation.

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Movie Review: “God Bless America”

ImageWith rudeness, cruelty and self-absorption now universally heralded American attributes, with cynical political opportunists, unworthy “talents” and lowlifes dominating reality TV, the time is certainly right for a “Falling Down” remake.

Which is the jumping off point for “God Bless America,” comic-turned-filmmaker Bobcat Goldthwait’s 100 minute tirade about the Kardashian/TMZ/Glenn Beck era in American popular culture.

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Movie Review: “Tyler Perry’s Good Deeds”

ImageThere are always pearls of wisdom in the cinematic sermonettes of Tyler Perry. And even if they’re a tad too obvious, it’s plain that his connection to Oprah has paid off when he has characters in his films talk about personal responsibility, taking control of your own life and marriage or simply making it a motto to do the right thing.

But the movies around his astute observations about life are generally slow-footed slogs, in desperate need of editing. “Good Deeds” has a few good scenes, a few solid messages about the importance of being needed in a relationship or marriage and the financial tightrope a lot of families are walking in this economy. But he’s such a dull dramatist and boring actor that the message isn’t delivered.

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Movie Review: Digital wolves undo “The Grey”

2stars“The Grey” is an old fashioned survival tale harboring pretensions that it is something more. Not a lot more, just a hint of the  psycho-cerebral, here, a smidge of the primal and primitive there.

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