Movie Review: “Follow Me: The Yoni Netanyahu Story”

2starsYoni Netanyahu was the veteran Israeli commando who led the raid on the airport in Entebbe, Uganda, on July 4, 1976. He died early in that firefight, in which Israeli troops fought off terrorists and their Ugandan protectors to free over 100 passengers who had been taken there after their jet was hijacked.

Netanyahu’s place in Israeli history was assured by that heroic act and his heroic death. But he was also an avid letter writer, a soldier who wrote that “at the moment of my death,” he wanted to be able to give an account of how he’d spent his life that was worthy of his times. He lamented “the sadness of young men destined for endless war,” but never let it overshadow his overwhelming sense of duty — “I do things because they have to be done.”

And after his death, his letters made him immortal — at least in Israel. People like the novelist Herman Wouk (an ardent Zionist) and others praised these eloquent but sentimental letters home, to family, lovers and friends.

“Follow Me: The Yoni Netanyahu Story” is a sympathetic and modestly compelling documentary about Yoni’s life and death. It is the tale of “someone marked for glory,” but also of a soldier with human failings, a son born in the 1940s who took up his Cornell University scholar-father’s ardent “Revisionist Zionist” cause and took up arms for their new adoptive homeland when he came of age.

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Movie Review: “Neil Young Journeys”

ImageNeil Young is in fine voice, captured live at Toronto’s acoustic treasure, Massey Hall, in Jonathan Demme’s latest Neil Young documentary, “Neil Young Journeys.”

This follows “Neil Young Trunk Show” in 2009. And “Neil Young: Heart of Gold.” And those are just the Jonathan  Demme Neil Young feature films.

 There was an “American Masters” on PBS a few years back, and in ’97 Jim Jarmusch filmed “Year of the Horse,” and so on. And on.

Which prompts a viewer, in between close-ups so tight Demme captures Young’s dental work for posterity, to wonder, “Judas Priest, how many Neil Young documentaries do we need?”

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Movie Nation Interview: Naomie Harris, Miss Moneypenny to you

In her most famous big screen role, voodoo priestess Tia Dalia in the “Pirates of the Caribbean” movies, Naomi Harris wore grey, clay-lumped dreadlocks and the nastiest teeth stains this side of the invention of toothpaste. But as her turn as Eve, fellow British secret agent and flirt to Daniel Craig’s James Bond in “Skyfall” proves, she cleans up well. “Bond Babe” well.

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“I have no quibbles with being a ‘Bond Girl,'” Harris, 36, says. With a proviso. “That’s problematic, but it’s also a great compliment. Bond girls are sexy and alluring and all that. But it’s not appropriate for Bond women of today. We’re characters, not stereotypes. Eve is very much Bond’s equal — an agent, in the field. Firing guns. Driving like a madwoman. So ‘Bond Babe’ seems so antiquated in light of that.”

“Skyfall,” the most critically acclaimed Bond film in decades, is earning Harris glowing notices, too, for the “both beautiful and brainy” (Entertainment Weekly) direction she and the filmmakers are taking the longest running franchise on film.

“This movie is about going back to the roots of Bond, getting the classic elements in,” Harris says. “But we’re  modernizing it as well. One thing I was happy that they wanted to bring back was the comedy, that dry British sense of humor. It’s still a darker Bond, I think But there’s more of an effort to add laughs.”

Harris, the daughter of a Jamaican TV writer, is a native Brit who won’t quite say it’s her “duty” to serve when called to join Her Majesty’s Secret Service. “But if you’re British and you’re an actor, it is a huge honor. It’s so part of British culture that it made perfect sense to have James Bond escort the Queen to the Olympics. If you’re British and you’re an actor or are in the film business, it means something extra to have some part to play in making a James Bond film. [Director] Sam Mendes and Daniel Craig said they made this list of their first choices for this film, and every actor they approached said ‘Yes.’

“So maybe it is a duty to do a Bond film. It is quintessentially a British story, British in character. I love that the film acknowledges that, that it’s much more London-centric than other films. That’s all part getting Bond back to his roots, I think.”

Harris, 36, got her start on British TV after college and a stretch at Bristol’s Old Vic Theatre School. Her first break was in Danny Boyle’s zombie hit “28 Days Later.” She’s mixed appearances in Hollywood films such as “Street Kings” with indie fare — “Tristram Shandy: A Cock and Bull Story, “”The First Grader” ” Sex & Drugs & Rock & Roll.” None of that, even spending time on the well-financed sets of the “Pirates” movies, prepared her for teaming up with Mr. Bond.

“I never exercise. Terrible about it. For this, I had to do two months with a personal trainer, five days a week, two hours a day. I was on the gun range two days a week. I spent one day a week with the stunt trainer, doing kickboxing, combat training. I spent time in driving school.

“And remember the scene where I shave Daniel? I had to train with a barber for weeks just to get some shaving skills. I learned a LOT. Really got my money’s worth out of this film. I could BE an agent, now.”

How many Range Rovers did your ruin shooting the film’s first big chase?

“I did not ruin a ONE, I am very proud to say! I was an AWFUL driver, prior to doing this. But being taught by stunt drivers, three point turns, slides, all that, I got to be a pretty good driver. I feel a lot more secure behind the wheel. Everybody keeps telling me how terrible I am in the movie, which ISN’T FAIR. I mean, so I knocked a few mirrors off. You only need the rearview mirror, anyway, am I right? When you’re going as fast as Eve does in this chase, nobody’s hitting you from behind.”

Whatever use she gets out of her shaving and Rover-wrecking skills in the future, Harris followed “Skyfall” with another indie

film, a role that was “the most challenging I’ve ever played.” She plays the controversial wife of South African president and civil rights icon Nelson Mandela in a film by her “First Grader” director.

“Winnie was exhausting, harrowing, thrilling…I didn’t research Winnie until I got the role and the financing was in place and we were about to start. I terrified myself because I discovered her to be such a complex character. She’s like seven people in one. Her journey is so dark and upsetting. People paint her in two different colors. Horrific things happened to her, and happened because of her. I really got to stretch myself and show the breadth of what I can do as an actress with that film. I cannot wait for it to come out.”

And unlike other “Bond girls,” there’s always a chance that Eve and Harris will maintain their currency with the franchise. Or will they?

“There’s absolutely NO WAY I’m telling you if I’ll be back,” she giggles.

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Movie Review: Patton Oswalt goes Scouting in “Nature Calls”

You can count on one hand the number of movies, over the decades, that have depicting Scouting and had the nerve to identify their characters as actual Boy Scouts.

Wes Anderson shied away from that label and the official uniform in last summer’s twee tween romance, “Moonrise Kingdom.”

But not Todd Rohal, writer-director of the R-rated farce, “Nature Calls.” He puts his troop leaders in something close to an official uniform and calls them and their young charges “Boy Scouts.” And the stuff he has these adults and kids say and do would make likely make “official” Boy Scoutdom blanche. A little.

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Movie Review: “Finding Nemo,” now in 3D

ImageIt’s the details that stand out whenever a classic film is converted to 3D.

With “Finding Nemo,” the shimmering sea surface, scratches on the lens of a diver’s goggles and smudge marks Nemo the clownfish makes when he mashes his face up against the glass wall of the aquarium that imprisons him all pop off the screen in the 3D re-issue of Pixar’s undisputed masterpiece.

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Producers Guild goes for “Argo,” “ParaNorman,” “Moonrise Kingdom” and “Skyfall”

I like the Producer’s Guild Awards, because they seem to widen the Oscar landscape rather than narrow it.

Hell, give “Skyfall” some love, let everybody know that “Brave” and “ParaNorman” are among the best animated films of the year.

Here’s their complete list — not keen on “Moonrise,” or “Django.” What, “Impossible” isn’t in here? Mutter…

 

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

 

“Argo” (Warner Bros.)
Producers: Ben Affleck, George Clooney, Grant Heslov

 

“Beasts of the Southern Wild” (Fox Searchlight Pictures)
Producers: Michael Gottwald, Dan Janvey, Josh Penn

 

“Django Unchained” (The Weinstein Company)
Producers: Reginald Hudlin, Pilar Savone, Stacey Sher

“Les Misérables” (Universal Pictures)
Producers: Tim Bevan & Eric Fellner, Debra Hayward, Cameron Mackintosh

Life of Pi” (Fox 2000 Pictures)
Producers: Ang Lee, Gil Netter, David Womark

 

“Lincoln” (Touchstone Pictures)
Producers: Kathleen Kennedy, Steven Spielberg

 

“Moonrise Kingdom” (Focus Features)
Producers: Wes Anderson & Scott Rudin, Jeremy Dawson, Steven Rales

 

“Silver Linings Playbook” (The Weinstein Company)
Producers: Bruce Cohen, Donna Gigliotti, Jonathan Gordon

 

 

“Skyfall” (MGM/Columbia Pictures)
Producers: Barbara Broccoli, Michael G. Wilson

 

“Zero Dark Thirty” (Columbia Pictures)
Producers: Kathryn Bigelow, Mark Boal, Megan Ellison

 

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

 

“Brave” (Walt Disney Studios Motion Pictures)
Producer: Katherine Sarafian

 

“Frankenweenie” (Walt Disney Pictures)
Producers: Allison Abbate, Tim Burton

 

“ParaNorman” (Focus Features)
Producers: Travis Knight, Arianne Sutner

 

“Rise of the Guardians” (Paramount Pictures)
Producers: Nancy Bernstein, Christina Steinberg

 

“Wreck-It Ralph” (Walt Disney Studios Motion Pictures)
Producer: Clark Spencer

 

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Art Director/Production Designers nominate “Django,” “Flight,” Karenina” and “Hobbit”

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2012:

Period Film

ANNA KARENINA Production Designer: Sarah Greenwood

ARGO Production Designer: Sharon Seymour

DJANGO UNCHAINED Production Designer: J. Michael Riva

LES MISÉRABLES Production Designer: Eve Stewart

LINCOLN Production Designer: Rick Carter

Fantasy Film

CLOUD ATLAS Production Designer: Uli Hanisch, Hugh Bateup

LIFE OF PI Production Designer: David Gropman

PROMETHEUS Production Designer: Arthur Max

THE DARK KNIGHT RISES Production Designer: Nathan Crowley
Kevin Kavanaugh

THE HOBBIT: AN UNEXPECTED JOURNEY Production Designer: Dan Hannah

Contemporary Film

FLIGHT Production Designer: Nelson Coates

SKYFALL Production Designer: Dennis Gassner

THE BEST EXOTIC MARIGOLD HOTEL Production Designer: Alan MacDonald

THE IMPOSSIBLE Production Designer: Eugenio Caballero

ZERO DARK THIRTY Production Designer: Jeremy Hindle

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Movie Nation Interview: Jeffrey Dean Morgan

morganMovie fans, those with too much time on their hands, love to ponder the imponderable.

Why did America flock to see “Ted”? How did Tyler Perry build an empire by donning a dress? What is new about “The Hunger Games,” other than its not-seen-many-movies audience?

And why isn’t Jeffrey Dean Morgan a star?

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Movie Review: “Moonrise Kingdom”

ImageWes Anderson, the cinema’s tsar of twee, takes on young-younger-youngest love and making rebellious square pegs fit into round holes with “Moonrise Kingdom,” his latest venture into the dark and the daft.

And if it’s not as deft as his most adorable confections (“The Royal Tennenbaums,” “The Fantastic Mr. Fox”), it’s still got plenty to chew on and chuckle over for initiates in the Cult of Wes.

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Movie Review: “Mission: Impossible, Ghost Protocol”

ImageYou’re going to want to spring for IMAX tickets to “Mission: Impossible — Ghost Protocol.” If Tom Cruise is willing to hang off the walls of the tallest building in the world, where do you get off going cheap?

“Ghost Protocol” is the most action-packed, most jokey and self-aware, most James Bond-ish of all the Cruise “Mission” films.

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