Movie Review: “The Lucky One”

1half-star“The Lucky One” is the edgiest-ever film adaptation of the writings of Nicholas Sparks.

Which isn’t saying much.

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Movie Review: “The Lorax”

 ImageFrom the day it was published, Dr. Seuss’ environmental parable “The Lorax” has courted controversy. A screed about consumerism, greed and its cost to the environment, this anti-clear-cutting tale prompted protests in lumber-country school districts and just last week inspired an attention-starved Fox Business News anchor to attack its “indoctrination.”

That’s what you get when you write a character who says, “I speak for the trees” — Lou Dobbs speaking up for the clear-cutters.

The gorgeous and glorious new film of this fable from Universal’s “Despicable Me” team turns a somewhat gloomy, cautionary tale into a 3D musical, with catchy tunes and gags borrowed from every film from “Toy Story” and “The Truman Show” to “Babe.”

But the message is as obvious and irritating to those who resent the Clean Air Act as ever. 

Ted the teen (voiced by Zac Efron) lives in Thneedville, where everything is packaged, paved over and plasticized. He doesn’t know things weren’t always this way, or notice how bad things are until he tries to impress his cute redheaded neighbor, Audrey (Taylor Swift), and she shows him her mural.

“What are those?”

“TREES.”

Audrey longs to see a real tree. And Ted, asking his mom, realizes how hard that’s going to be.

“We already have a tree — the latest model!”

But Granny (Betty White, of course) sends Ted off into the wastelands outside of the city, in pursuit of the Once-ler (Ed Helms). And the Once-ler tells Ted the tale of how he deforested the Seuss-scape long ago, all in the name of profit. The Once-ler, in flashbacks, remembers the warnings of the Lorax (Danny DeVito), and how he’d ignored them.

“Everyone here needs the trees,” the Lorax declares, surrounded by forest creatures. “And you’re choppin’ em down.”

The film is a feast of bright, Seuss colors and wonderful Seuss design — all curvy, undulating lines and shapes. The 3D kicks in as Ted dodges axe heads and the Once-ler is sent hurtling down river rapids.

A goldfish trio sings and chirps a funny accompaniment, just like the mice in “Babe.”

And the songs are a stitch — Ed Helms warbling “Everybody needs a Thneed,” advertising his new scarf-like product made from the Truffula trees, and croons “How bah-ah-ah-ad can I be?” in his defense when the trees fall in their thousands and the cash piles up.

“I’m just building the economy,” he protests, standing in front of his business, which he’s labeled “Too big to fail.”

“Lorax” takes on echoes of “Wall-E” as it embraces its gloom — the Once-ler’s replacement entrepreneur/villain is a fellow who has figured out how to bottle and sell clean air. Bu it’s all a set-up for the redemption song, the gospel-tinged “Let it Grow.”

That’s when it becomes obvious why the Seuss rhymes here are subdued, saved up for big moments when they’ll have the most impact. That’s when the one-word warning of the Lorax — “Unless” — threatens the Lou Dobbses of this world with extinction.  

“Unless someone like you cares a whole awful lot, nothing is going to get better. It’s not.”

 

MPAA Rating: PG for brief mild language

Cast: The voices of Zac Efron, Taylor Swift, Ed Helms and Danny DeVito

Credits: Directed by Chris Renaud,  scripted by Lem Daurio and Cinco Paul, based on the book by Dr. Seuss. A Universal release. Running time: 1:34

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Movie Review: “Looper”

ImageJoseph Gordon-Levitt utterly masters the Bruce Willis squint, where the action hero narrows his eyes, furrows his brow and purses his lips. He gives us a little of the Willis smirk, the one Bruce breaks out when he’s about to let-go a whispered threat. Yeah, JGL has that whispered threat thing down, too.

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Movie Review: “Lola Versus”

 Image“Lola Versus” is a conventionally unconventional romance in the modern mode, alternating between cute and crude and packing a heaping helping of self-affirmation into its 84 minutes.

It’s got that “Where have I seen this before?” familiarity even as it updates an old formula with snappy, slangy and sexual one-liners.

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Critic’s Log — Tonight’s screening, “Texas Chainsaw 3D”

It’s time for another trip to the woodshed with the leatherfaced killer who inspired so many imitators. Now that we’ve seen the “REAL” Ed Gein in “Hitchcock,” I wonder how this latest 3D splatter fest will come off. Going back to the real Gein, or back to the original Tobe Hooper movie, or merely the last Chainsaw movie as inspiration?

No, they’re not previewing this one for critics. And they moved it from Halloween to the graveyard of January. But a lone horror movie always breaks out of this slow-attendance month.

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Movie Review: “Lockout”

2starsGuy Pearce goes into low Earth orbit to get his cool back in “Lockout,” a silly sci-fi B-picture made fun by his star turn in the lead role.

It’s “Escape from New York” in space, with Pearce channeling Kurt Russell brawny bravado as Snow, a disgraced CIA agent sent to rescue the president’s daughter who is caught up in a convict’s revolt in the M.S. One space prison.

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Movie Review: “Life of Pi”

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“Life of Pi,” Yann Martel’s fantastical folk parable about faith and spirituality makes the journey to the big screen more or less intact, a meditative Ang Lee survival-at-sea adventure with many of the same virtues and shortcomings of the novel.

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Movie Review: “L!fe Happens”

1half-star“Her and I have this witty banter thing,” single-mom Kim (Krysten Ritter) blurts out to her date as a way of explaining a little verbal snit-fit she’s shared with gal-pal Deena (Kate Bosworth. “It’s nothing serious.”

There’s fact and fiction in that bit from the preciously titled single-mom rom-com “L!fe Happens.”

No, the banter isn’t very witty. But yes, this is “nothing serious.”

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Movie Review: “Lincoln”

Image The leading man’s too short, barely suggesting the height that his contemporaries said made him “tower o’er other men.” And his voice, researched and accurate as it may be, is not the Abe Lincoln that’s been inside our head for generations.

The actress they cast to play his wife is decades older than the woman she’s portraying.

U.S. Grant is a sharp-dressed redhead, and like Lincoln himself, played by a Brit.

We don’t get the whole of his life and career, the hardscrabble childhood, the hard-won election, or even much of the civil war that election led to.

But Steven Spielberg’s “Lincoln” is an elegiac turn from a filmmaker we thought was out of new tricks, a vivid, melancholy and meditative look at one of America’s most revered presidents. Daniel Day-Lewis gives us a very human flesh-and-blood Lincoln, weighed down by events but never at a loss for a funny story, rightfully lionized by history, but flawed and willing to take political shortcuts to secure his place in history.

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Talking movies on the Radio — “Promised Land” at 740 The Game at 745 AM

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Chatting with Brian Fritz this AM on the Open Mike radio show on 740 The Game, and we’ll talk up the new Matt Damon/John Krasinski/Hal Holbrooke Rosemarie DeWitt drama about fracking — “Promised Land,” and a couple of vintage films playing this weekend at the Enzian, “Django” and “Rashomon.”

Go here to listen live at about 745.

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