Movie Review — Aimless “Fly Old Bird: Escape to the Ark” is Road Trip Tedium Incarnate

I’ve taken on the task of painting houses in half a dozen states over the years, which is why I can say, with some authority, that viewing the amateurishly-paced, clumsily-titled “Fly Old Bird: Escape to the Ark” is “like watching paint dry.”

A “road trip” dramedy about old (not that old) men fleeing a Michigan trailer park for retirees for The Ark Encounter in fundamentalist Kentucky, just 45 miles from The Creation Museum, “Old Bird” is the cinematic version of “The Road to Nowhere,” a film of inane dialogue, dull characters and an undermotivated “quest” littered with nearly pointless stops along the way.

This Maki family faith-based project clocks in at a “Shawshank” length of nearly two and a half hours. But there’s little to nothing redeemable in it, a film where half the scenes have no reason to exist and the other half go on past any point they may have.

Alan Maki stars as Jon, an overwrought widower who doesn’t look nearly old enough to be bound for the nursing home, which his kids have sentenced him to. He’s forgetting things, having fender benders, weeping for his late wife and gritting his teeth that his kids — Heather Hamilton plays his daughter, director and son Shaun Maki plays his son — have put his long-immobile mobile home on the market.

Jon is fuming when he and neighbor Gibbs (Dennis McComas) “meet cute.” There’s little cute about their meeting, nothing in their banter to make us buy into an instant bond that will turn into a road trip of several hundred miles.

Jon is leery of “religious talk.” Gibbs is all about the Bible, which he’s read cover-to-cover “fourteen times.”

“You didn’t get it the first time?”

With his children and their power-of-attorney hold on his life closing in around him, Jon impulsively decides the two of them should hit the flee for a pilgrimage to “The Ark Encounter.” Sure, one’s a published author — “That’s GOTTA be a lie.” — wearing his pain like a hair shirt, the other just might be suffering in silence.

Because it’s hard to get in a word edgewise on the cagey Jon, who figures the best way to make their getaway is by swapping license plates they swipe from a stranger.

The not-remotely-random stops along the way (at a church, etc) add little to this quest. There’s nothing surprising about what happens to them, and nothing remotely interesting about their destination.

Acting here ranges from adequate to not even that.

If there’s a parable to all this, it’s in some Maki’s head and not in the finished film. If there’s any reason to make a recreated Noah’s Ark the destination other than tricking Indiana Jones fans, or fundamentalist-virtue-signaling your audience that this panders to their beliefs, I didn’t catch it.

I was too busy missing all the drying paint that at least gives one the satisfaction that you’ve accomplished something, which is more than you can say for watching this “Escape to the Ark.”

Rating: unrated, PG worthy

Cast: Alan Maki, Dennis McComas, Mikah Scott Carter and Shaun Maki.

Credits: Directed by Shaun Maki, scripted by Alan Maki. A Sun and Paw Films release on Amazon Prime.

Running time: 2:25

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Movie Preview: A reach-for-the-stars go-getter meets a semi-employed actor, and somebody gets sick — “She Taught Love”

Hulu has this tested-by-illness romance, starring Arsema Thomas and Darrell Britt-Gibson, slated to stream Sept. 27.

It shows promise.

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Movie Preview: “Dog Man” becomes an all star (ish) animated film…with Pete Davidson?

The creator of “Captain Underpants,” Dav Pilkey,  scripted this January 25 Universal release.

Half man, half dog, fighting crime?

Pete Davidson, Isla Fisher, Rickey Gervais and Lil Rel Howery are the names voice stars.

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Movie Preview: Peter Dinklage and “twin” Josh Brolin have the emeralds, Brendan Fraser wants them — “Brothers”

Oscar winner Fraser is scary, Oscar winner Marisa Tomei reteams with Dinklage as (once again) his love interest, Oscar nominee Glenn Close as the siblings’ psycho-mom and Fraser as the nutty “I AM JUSTICE” cop-avenger-seeker of the emeralds in this dark comedy.

Amazon Prime has this one, and t’s coming out Oct. 17.

Lotta star power for a dark comedy that goes straight to streaming. Something not quite come off? We’ll see.

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Movie Preview: Oscar winner Cillian Murphy and Emily Watson consider “Small Things Like These”

Lionsgate has this November 8 release, an Irish period piece based on a Claire Keegan novel.

Watson’s a scary nun, Murphy’s a father stumbling into something awful about the Catholic church’s stranglehold on his small. town.

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Movie Preview: Kinnaman’s a cop who loses his hearing and stumbles into his deadliest case — “The Silent Hour”

Sandra Mae Frank plays the deaf eye witness a newly-deaf detective must “interpret” and protect. Mark Strong is his “partner,” Mekhi Pfifer leads the gang out to tie up loose ends.

Oct. 11.

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Movie Preview: Anna Kendrick is Looking for Mister Goodbar, and directing “Woman of the Hour”

A blind date with a creep thriller, this one comes to Netflix Oct. 15.

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Movie Preview: Losing her fur baby is enough to make any guy “Hangdog”

A deadpan comedy about what a guy will go through to recover his significant other’s dog.

Desmin Borges has the title role, with Kelly Sullivan as She Whose Dog Must Be Found before she returns from a trip.

A husband and wife director/writer team cooked this existential crisis comedy up. Whattaya wanna bet that they lived through it?

Oct. 25.

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Movie Preview: A seaside gay immigrant romance — “High Tide”

Marco Pigossi and James Bland play the lovers whose paths cross in this Marco Calvani (“A Better Half”) melodrama. Oscar winner Marisa Tomei and character actor and clown Bill Irwin also star.

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Movie Review: The Weekly World News covers “The Zombie Wedding”

Aaallrighty, my flockers,” the Rev intones at the “first ever” marriage between a human and a zombie, punctuating his sentences with random James Brown howls. “The zombie apocalypto is upon us!”

But first, there must be “The Zombie Wedding.”

“Dearly bi-partisans,” let the bride, dolled-up to perfection, and the groom — a zombie — take their places.

“Love knows no race nor color,” The Rev sermonizes. “Love knows no rich or poor. Love KNOWS no living or DEAD. Love knows NOTHING.”

Wait for it.

“Love…is an IDIOT.”

The Rev, played by “Walking Dead” alumnus Seth Gilliam, touches on the tone that this Micah Khan/Greg D’Alessandro comedy wants to hit. A lot of famous faces — and a few faces obscured by this latest variation on zombie makeup — take their best shots at making a half-assed “Tony & Tina’s Wedding Goes Zombie” script funny.

Heather Matarazzo (“Welcome to the Dollhouse”) is a “zombie control officer.” Cheri Oteri of “Saturday Night Live” and Siobhan Fallon Hogan (“Seinfeld”) go at it as zombie mother of the groom vs. Arkansan mother of the bride.

Mickey Dolenz of “The Monkees” is the wedding DJ (zombified) booked for the Vineland, N.J. occasion.

And Aijay Naidu plays the Weekly World News editor — “The world’s ONLY reliable news!” — whose interview frames the story and provides (unfunny) narration.

But no big names or small names in the cast can save this corpse of a comedy from sliding into rigor mortis.

The plot sees a zombie virus outbreak interfere with the Vineland wedding plans of Ashley (Deepti Menon) and Zack (Donald Chang). But after the slaughter, the inane news coverage (by Christine Sprang and Mu-Shaka Benson) and family fighting over the wedding venue, the zombie groom and his groomsmen will be theref, and the bride and her menacing, not-to-be-trifled-with bridesmaids will show up to close the deal.

What could go wrong? Or funny?

For years, it wasn’t uncommon for me to sit at traffic lights in eastern Orlando and notice that the car next to me was stuffed with zombies. The for-profit Full Sail University and its cash college students who couldn’t get into “real” film schools were always making zombie movies.

They’re cheap, easy and fun…to be in, at least. No wonder film school students flock to the genre. Sometimes they can even be fun to watch.

But comedy is quick and “The Zombie Wedding” lumbers, staggers and stumbles up to the wedding, and flails like a tortoise sinking in quicksand after the “I do’s.”

“Hey, it’s supposed to be ‘The WALKING Dead!’ Get a move on!”

Actors hit lines they expect to play as “funny” hard enough to draw blood, but not laughs.

“We’re dead Americans, and we’ve got rights” could have been cribbed from the later seasons of the interminable zombie-genre-killing “Walking Dead,” but it was never going to be a funny one.

That kills this zombie apocalypse before the first joker in whiteface can yell “BRAINS.”

Rating: unrated, comic gory violence, innuendo

Cast: Deepti Menon, Donald Chang, Aijay Naidu, Christine Sprang, Mu-Shaka Benson, Siobhan Fallon Hogan,Vincent Pastore, Heather Matarazzo, Seth Gilliam, Mickey Dolenz and Cheri Oteri.

Credits: Directed by Micah Khan, scripted by Greg D’Alessandro. A Freestyle release.

Running time: 1:42

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