Movie Review: “Trollhunter”

Fun, though not nearly as much fun as it might have been, “TrollHunter” is a bit like a Norwegian version of “Rare Exports: A Christmas Tale,” the Finnish horror film about “the REAL (and really evil) Santa Claus.”

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Movie Preview: “Parker,” how bad can it be?

Jason Statham is consistently interesting as an action hero — a dynamo who leans into the frame, with or without a gun. I’ve been a fan since his early Guy Ritchie days, on through “Transporter” and “Bank Job,” through “Crank,” and “Killer Elite” even.

He makes some stinkers — a LOT of stinkers. “Parker” co-stars Jennifer Lopez.

What are the odds that this won’t suck?

Well, not good. The studio was pitching interviews with the stars. They were offering to show the movie, provided no review was written.

WTH? Seriously? Why not post “This film has been rated SUCKY” on the TV ads? It’s always riskier to release a film unpreviewed/reviewed. Critics have to go out and see it at midnight the night before, and since the studio has already told us it’s damaged goods, we don’t even have to stay awake through all of it.

Granted, it is a “January movie.” But still…

The trailer is a decent sell, but the folks releasing the film have pooped all over it before it comes out. Sad.

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Movie Review: “The Devil’s Double”

Dominic Cooper goes positively Pacino in “The Devil’s Double,” a film biography of a real-life Iraqi “Scarface” and the poor sap ordered to be his stand-in.

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Box Office: Read between the lines, “Haunted” bests “Zero Dark,” “Hobbit” is still making money

In actual per screen averages, last weekend’s number 2 film at the box office, the sluggishly paced and laugh-starved “Haunted House” made more money than “Zero Dark Thirty,” the Oscar nominated winner of the overall box office race. That’s money per screen.

“Rise of the Guardians” will finally clear $100 million by the end of this week. “Life of Pi” will get enough of an Oscar extension of life to clear $100 million by next weekend.

“Skyfall” will clear $300 million by next weekend.

“The Hobbit” made another $9 million.

“Silver Linings Playbook” is the picture that got the “true” Oscar bounce. “Argo” was thrown back on screens and did respectable numbers.

And last weekend’s winner, the Godawful “Texas Chainsaw 3D” fell off 76% in its second weekend. Rejected or spent, you decide.

 

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Golden Globes: A true “Alternative Oscars” this year?

Image“Les Miserables” won best picture/comedy or musical, “Argo” won best picture, drama and Ben Affleck won best director.

Since none of those (first two) are likely to win the Academy Award, and Affleck wasn’t even nominated, let’s call the 70th Golden Globes what the Oscar folks have been loathe to call this Hollywood Foreign Press & Doormen and Beer Distributors affair — a true Oscar alternative.

It’s what The Academy, hallowed be thy name, has been fighting these past several years, moving their nominations and their ceremonies around willy nilly, trying to mute the impact of the Golden Globes stealing their thunder. They have failed and continue to fail. It seems like a lost cause, since they’re dealing with the same limited pool of “acclaimed” (by critics groups) pictures, pictures which have been Internet buzzed about nonstop since September of the preceding year.

The Academy voters failed, pretty much, to widen the field and look to worthy pictures beyond what the Globes, and assorted other critics’ groups nominated or honored. They left out some of the consensus worthies. Usually, it’s the Indie Spirit Awards that find a home for those left out in the Oscar cold — John Hawkes and “Smashed” and “Bernie” and the like.

But with Oscar plainly going its own way and yet not offering up pleasant surprises among the nominations (“snubs” instead), the Globes put on a Tina and Amy show (funny), let Jodie Foster wave goodbye to all that,  sort of “come out” and sort of retire, and give Affleck his “You have arrived” due.

The Globes honored Jessica Chastain and Jennifer Lawrence in their drama vs. comedy best actress awards, Hugh Jackman and Daniel Day-Lewis as best actors, Anne Hathaway, and Christoph Waltz as best supporting players.

They paid tribute to “this year’s crop” of TV shows. And they got off the air on time.

Will the Oscars actually surprise us after this? They’ve left few chances, thanks to the “usual suspects” lineup of nominees.

“Lincoln” will be their favorite, and Hathaway and Day Lewis, maybe Jennifer Lawrence and Tommy Lee Jones, unless “Lincoln” rises up as some safe choice.

They went overboard on nominees from “Silver Linings Playbook,” but does anybody figure somebody other than Lawrence is a favorite there? DeNiro could sneak in as a “career” honor, even though he’s already won and been lauded as the male Meryl Streep for decades.

So while the Globes, with their slicker/shorter/snarkier production, may have produced few real surprises, they basically set the table for the Oscars to produce even fewer. Is that a reason for people to tune in? Aside from this guy most of America has never seen or heard of as the host?

Complete list of winners below…

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Movie Review: “Harry Potter and the Half Blood Prince”

ImageA great treachery is revealed, a great light is snuffed out and the final quest is set up in Harry Potter and the Half-Blood Prince, an emotional and involving installment in the hit-or-miss Harry movie series.

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Movie Review: “Harry Potter and the Chamber of Secrets”

ImageThe kid looks bored. Two movies into the lifeless Harry Potter franchise, and wee mop top Danny Radcliffe’s looks of perpetual surprise and delight and fear have blended into one long grimace. Can you hear the “How much are they paying us, mummy?” whispers through his perfect gritted teeth in every scene? I can.

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Movie Review: “Harry Potter and the Deathly Hallows: Part 1”

There are no eye-rolling pauses to stare at this new magical prop or that extra-special special effect. No time for time-killing Quidditch matches.

“Harry Potter and the Deathly Hallows: Part 1” is a brisk, bracing film of actors in close-up. The lead players have grown into the roles and of the Who’s Who of British character actors in supporting parts shine like never before, placed, as they are,  in both real-world London and a selection of desolate landscapes that match the gloom of this apocalyptic tale.

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ImageWait a minute. Sequels aren’t supposed to get better.

They sputter and stutter and run out of gas long before the studio stops spending money on them.

But darned if this Harry Potter franchise isn’t sharpening, expanding, growing into itself as it progresses. The fourth film in the series, Harry Potter and the Goblet of Fire, has a couple of those great out-of-body popcorn movie moments that popcorn movies have been missing this year. It’s better acted, more beautiful, with the most dazzling effects yet. It’s lighter-hearted when it needs to be, more brooding and depressing when that’s called for.

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Movie Review: “Harry Potter and the Deathly Hallows: Party 2”

The finale to the Harry Potter saga is, like most of the films in the series, a bit of a slog. But it’s a generally satisfying slog — two hours of wrapping up loose ends, saying fond, if not exactly tearful farewells and Harry facing his destiny with “You Know Who.”

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