Movie Nation Interview: Marlon Wayans on why he thinks mocking scary movies is funny

The New BET comedy series “Second Generation Wayans” begs the question – have their really only been TWO generations of the professionally funny family that gave us “In Living Color,” the “Scary Movie” franchise, and “White Chicks”?

“I’m pretty sure there were some really entertaining Wayans before us,” says Marlon Wayans. “You know, some hilarious slave Wayans. They could’ve been in Tarantino’s movie. Pickin’ cotton, and tellin’ jokes. That’s us.”

At 40, Marlon is part of the same generation of Wayans that produced Damon, Keenan Ivory, Kim and Shawn. He has “always been the most talented” of the clan, says George Thomas, film critic for the Cleveland Examiner, capable of low comedy, but also of stealing film from the likes of Tom Hanks (“The Ladykillers”).

Wayans’ latest function in the funny family enterprise is “A Haunted House,” an attempt to move on from the “Scary Movies” that he helped launch but which the family is no longer a part of. With the “Scary Movie” installments – launched as a response to the “Scream” and “Nightmare on Elm Street” franchises — growing more watered down with each year, Wayans saw an opening for another parody.

“There’s a fine line between that moment when you’re a fan of the movie, the first movie in a series maybe, or you’re a fan of a genre – and the first films in it are the good ones – and then the bad ones start coming along and you hate them,” Wayans says. “When I see common denominators, common situations, common characters – a genre of films or a series of films becomes all the same movie – that’s when I go ‘That sucks. But it’s funny that it sucks.’”

That’s where he figures the “found footage” genre of horror is, “Paranormal Activity” and its many imitations.

“By the time the recent ‘Paranormal Activities’ and the rip offs came along, I said, ‘Wow. White people do some DUMB stuff in these freaking movies. You know what would be funny? If ‘Paranormal Activity’ happened to a black couple. Who would THEY call? What would go wrong with THEM?’”

He couldn’t do much with the original found footage horror film – “The Blair Witch Project” – because “Black people don’t camp. We came from Africa. We KNOW what’s in the woods.”

But what if, say, a black couple had “thug cousins” they could call in a crisis? “That’s what I would do. And that’s funny, to me. There are things even a thug is afraid of.”

(REVIEW of “A Haunted House” is here)

Next up for Wayans is a co-starring role in the comedy “The Heat,” with Sandra Bullock and Melissa McCarthy. He plays Bullock’s character’s love interest.

“ We don’t have any love scenes. Or any chemistry, really. But I’m pretty sure that in my mind, they do the nasty. A man’s got to have hope.”

Posted in Reviews, previews, profiles and movie news | 2 Comments

“Argo” and Affleck take top prizes with the Broadcast Film Critics Society

The BFCA Awards used to be the most reliable Oscar indicator of awards season.

But that’s not likely to be the case this year. The Oscars seemed to limit the field to those already touted other places this year, more than usual anyway. And the BFCA went its own way, giving the best director award to Ben Affleck for “Argo,” and since best directors direct best pictures, he won best picture for “Argo” as well.

Since Oscar didn’t nominate Ben for best director, and best directors direct best pictures, that won’t play out at the Academy Awards. “Argo” still has a shot, but leaving Ben out makes that a longer than long shot.

Jessica Chastain, Phillip Seymour Hoffman, Daniel Day-Lewis, Bradley Cooper and Jennifer Lawrence won awards (two, inexplicably, for Lawrence). “Wreck-It Ralph” won best animated film, “Searching for Sugar Man” best doc.

Full list of winners and nominees below. The BFCA — best indicator for — Golden Globes? Indie Spirit? Or “awards for people who won’t get Oscars”? We’ll see.

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on “Argo” and Affleck take top prizes with the Broadcast Film Critics Society

Movie Review: “Brooklyn Castle”

Movie Review: "Rampart," Woody's busted Oscar bidEditing, knowing what to winnow out, is every bit as important in documentary films as it is in novels, where Hemingway advised us to be ruthless thinning the ranks of our “little darlings.”

“Brooklyn Castle” is an overlong but engaging look at a Brooklyn middle school, Intermediate School 318, where disadvantaged sixth, seventh and eighth graders have ruled the roost among America’s chess playing middle schools for 20 years.

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “Brooklyn Castle”

Movie Review: “Beware of Mr. Baker” finds that Ginger Baker hasn’t mellowed…with time

3stars“He had time” is the finest compliment the drummer Ginger Baker can give. This fellow or that one has a sense of rhythm that meets with the cranky Cream drummer’s approval.

Jay Bulger, an opportunistic journalist, may not have that, but Baker gave him lots of his time when Bulger pitched first a magazine profile of the reclusive percussionist, then a documentary film project. And as Bulger discovered and we see in the film’s opening moments, when Baker disapprovingly smacks the movie maker in the nose with his cane, some people are recluses with good reason. Ginger Baker has spent a lifetime wearing out band mates, lovers and nations of residence with manic ill temper.

ginger baker

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “Beware of Mr. Baker” finds that Ginger Baker hasn’t mellowed…with time

Movie Review: “Water for Elephants”

Kids and other Robert Pattinson fans won’t be running off to join the circus after seeing “Water for Elephants,” the brutish and violent  screen adaptation of Sara Gruen’s novel. Whatever romance  Gruen summoned forth from these rough and tumble show people living by their own laws in a traveling, self-contained world of poverty and cruelty, director Francis Lawrence has ground it off.

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “Water for Elephants”

Movie Review: “Bridesmaids”

“Bridesmaids” is a frat boy’s idea of what a funny “chick flick” should be.  So, hat’s off to Kristen Wiig  and Annie Mumolo for scripting a movie that is a raunchy hoot, that plays to that demographic and yet doesn’t lose its femininity.

This is “Her Hangover,” a smarter and sweeter stumble to the altar that never quite gets to Vegas, and doesn’t seem to mind. Paul Feig directs this to the rhythms of Wiig’s quirky timing, blowing through big, gross gastronomic laughs but pausing for the “My best friend’s getting married and leaving me”  moments of self-loathing and panic.

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “Bridesmaids”

Movie Review: Wayans tries some “Paranormal Black-tivity” with “A Haunted House”

1starMarlon Wayans wrings every last down-and-dirty giggle out of a single joke in “A Haunted House,” his return to “Scary Movie” territory, in truth if not by contract.

He’s no longer involved in that series, so he limited himself to making fun not of every modern “scary” movie, but just the “Paranormal Activity” series. And for 85 rude and raunchy minutes, he does his best to drive a comical stake through the heart of horror’s hottest franchise and the “found footage” genre.

He doesn’t exactly succeed.

SmartAss - 1781.NEF

Continue reading →

Posted in Reviews, previews, profiles and movie news | 12 Comments

Box Office: Can “Zero Dark Thirty” hold off “Gangster Squad” and “Haunted House”?

Three movies go into wide release today. One of them will win the weekend box office race. Will it be the Oscar buzzed/Oscar nominated “Zero Dark Thirty” or the moved-to-January-because-it-had-no-Oscar buzz “Gangster Squad”?

Here’s my review of “Zero Dark Thirty,” in case you missed it.

Are film fans OVER Marlon Wayans and his “Scary Movie” riffs on horror, or will “A Haunted House” fill his bank account anew?

How will “Django,” “Lincoln,” “Les Mis” and “Silver Linings Playbook” and “The Impossible” do with their extra Oscar oomph?

Box office Mojo figures “Zero Dark Thirty,” despite the long running time, lack of “name” stars and torture-centric nature, will own this weekend and earn $25 million or so, with “Gangster” following close behind.

That’s pretty generous, according to the Box Office Guru, who figures “Zero” will win the weekend with just $18 million in its first weekend of wide release. It’s done great business on just a hand full of screens over the past several weeks. Will those per-screen averages remain when it’s on thousands of screens?

“Gangster Squad” (my review of this Gangster Western is here) has a lot of advertising and a lot of stars. It should clear $20 million.

I usually split the difference between these two prognosticators — maybe “Gangster” and “Zero Dark” will pull in very low $20s — fight it out in the $21-22 range.

“A Haunted House,” which opened late Thursday (I was there — review is here), should do $12. “Django” will probably get an Oscar bump. Or not. Still mid teens. “Texas Chainsaw,” the “massacre” deleted to remove connections to Sandy Hook, will fall off dramatically. Way below $10 this weekend.

Posted in Reviews, previews, profiles and movie news | Comments Off on Box Office: Can “Zero Dark Thirty” hold off “Gangster Squad” and “Haunted House”?

Movie Review: “The Future”

Miranda July takes “twee” about as far as she can, and then some, with “The Future,” her latest, most melancholy romance. The director of “Me and You and Everyone We Know” transcends cute and crosses into precious with this film, an unhappy blend of magical realism, alternative futures and “Cats.”

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “The Future”

Movie Review: “Sucker Punch”

1star

Ever since “300,” Zack Snyder has been the darling of the Warner Bros. lot, left to try his hand at the most famous graphic novel adaptation of all (“Watchmen”) and even given a kids’ movie about talking warrior owls from Australia. And they’ve anointed him the savior of the “Superman” franchise.

But with “Sucker Punch” Warners gave him enough rope to hang himself with. This is the most epic miscalculation since the Golden Summer of M. Night Shyamalan. An unerotic unthrilling erotic thriller in the video game/comic book crossover vein, “Sucker Punch” is ” “Last Airbender” with bustiers.

Continue reading →

Posted in Reviews, previews, profiles and movie news | Comments Off on Movie Review: “Sucker Punch”