Movie Review: “Four Lions”

3starsThey’re making a jihadist video, these “Four Lions,” posing in front of a jihadist flag, making their threats and promises of destruction of the “Jews” and “imperialists” and uh, “slags.”

They’re Brits, OK? And they’re not doing well with the ladies. Otherwise, they wouldn’t calls Jews and gynecologists their legitimate targets.

They’re bold, not hiding their faces, waving their guns. Um, waving their gun. But it’s a toy, a bit too small to be convincing. The fellow waving that toddler-sized AK-47 tries to hold it closer to the camcorder, too dense to explain the concept of forced perspective, making it look bigger on camera.

Do the others understand? Not bloody likely. They’re British buffoons, Middle Eastern expats with little interest in the Koran, no genuine gripe against the West that has given them shelter, just jihadist dreams of reconciling their tiny place in the world with the grandiose violent rhetoric of idiotic, testosteroned boys.

Which these “Four Lions” are most assuredly not.

“Four Lions” is a very funny British send-up of the dimwitted children of parents smart enough to escape their repressive Islamic homelands. Mostly in their late 20s, these “Lions” listen to bad pop music, make ineptly menacing videos and one-up each other in their boasts of how they will burn their names in history.

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Movie Review: “The Chronicles of Narnia: The Voyage of the Dawn Treader”

“Voyage of the Dawn Treader” is either a spirited revival of the film franchise based on the C.S. Lewis children’s Narnia novels, or an entertaining and emotionally satisfying coda to “The Chronicles of Narnia.”

In the able care of veteran director Michael Apted, who has helmed films that won actors Oscars and been a steady hand on the tiller of many an action film, including a James Bond adventure, the series’ casting shortcomings and drifting storylines are less pronounced and we get an idea of how the whole  of Lewis’ Christian allegory fantasy might have played out in better hands. If Apted and his ilk had made the films, they might have been a worthy challenger to the far more popular Harry Potter pictures.

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Movie Review: “The Tourist”

The German director of the sublime, subtle and chilling surveillance thriller “The Lives of Others:” might not have been the best choice for tackling the dressy and daft spy romance, “The Tourist.”

But even if Florian Henckel von Donnersmarck lacked the light touch this Johnny Depp/Angelina Jolie thriller required, it’s not his fault it goes off the rails. He shows a deft hand with the movie’s babe, boats, bullets and billions formula. Then the script piles the preposterous on top of the absurd and the film’s thin charms dissipate, revealing the creaking movie star contraption underneath.

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Movie Review: “Tamara Drewe”

“Voluptuous” doesn’t quite do the Gemma Arterton justice. It leaves out her voluminous hair, her perma-pout and those eyes so dark no cinematographer seems able to coax color from them.

And “overripe” seems a tad mean.

No sense mincing around objectifying her, because heaven knows filmmakers never do.  Her “come hither look” is the closest thing the big screen has to a heavy-duty dose of Viagra.

Arterton, one-time Bond girl, object of the lust of a “Prince of Persia,” is put on glorious display in the title role Stephen Frears’ “Tamara Drewe,” based on a Posy Simmonds graphic novel. Arterton’s Tamara is lust incarnate, something of a muse to some, an awful bother to others, playing a big city journalist who returns to her home village and stirs things up.

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Movie Review: “The Fighter”

Acting for the silver screen doesn’t get more raw, moving or accomplished than what you see in “The Fighter,” that rare film in which every performer in it leaves the viewer in awe.

The quartet at its heart — Christian Bale,  Amy Adams, Melissa Leo and Mark Wahlberg — wholly inhabit their characters and wash away most everything they’ve done in the past. And what’s even better is how perfectly they complement each other in this down-and-dirty “true story” boxing drama.

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Movie Review: “The Illusionist”

ImageWhen the book is written on the great character-actor-masquerading-as-a-leading-man Edward Norton, somebody’s going to discover an early childhood love of trickery, con jobs and practical jokes.

How else do you explain his career-long fascination with putting one over on the audience? There’s his screen debut, “Primal Fear,” playing a murderer pretending to be a victim. In “The Score,” he wasn’t what he appeared to be. “Fight Club” was a whole movie about a delusion. “Down in the Valley” had him as a make-believe cowboy in the modern-day San Fernando Valley.

That makes him a natural for “The Illusionist,” a lovely period piece about a magician who takes 19th-century Europe by storm, only to run afoul of the authorities when the phantasms he summons call into question the crimes of the German (or Austro-Hungarian) monarchy.

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Movie Review: “TRON: Legacy”

Like “Avatar,” “TRON: Legacy” takes us into a world of digital imagination, a dreamscape Netscape of blacks and blues and neon-lit “programs” and disc-duels for the teeming masses of bits and bytes.

It’s a gorgeous sequel to 1982’s “TRON,” a video game movie and a cult hit that was decades ahead of its time.

But like “Avatar,” “Legacy” is a film too in love with its own good looks. And like the original “TRON,” the sequel’s a bit of a slog, a generally humorless quest inside the computer “grid” in which a son searches for his digitally disembodied father and the father seeks salvation for humanity through the digi-verse he created, but which has taken on a life of its own.

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Movie Review: “I Love You Phillip Morris”

Despite its title, it has nothing to do with cigarettes. But its star, as he once famously said on screen, is absolutely “smokin’.”

Jim Carrey is the narrator,  heart and soul  of “I Love You Phillip Morris,” transforming what could have been a cliched con man comedy, generic Jim Carrey character comedy or run-of-the-mill  gay coming-out comedy into something smarter, sweeter and downright giddy. This long-shelved romp is a real Carrey showcase, one that shouldn’t wear the stigma “damaged goods” simply because it took an absurdly long time — it was at Sundance in January of 2009 — to reach theaters.

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Movie Review: “Happythankyoumoreplease”

With the self-consciously clever and sometimes achingly romantic “Happythankyoumoreplease,” TV star Josh Radnor (“How I Met Your Mother”) has concocted a big screen starring vehicle for himself that calls to mind both his hopelessly romantic TV persona, and an earlier sensitive romance by an earlier version of Radnor. “Happythankyoumoreplease” is less mopey and downbeat than TV star Zach Braff’s “Garden State.” But it succeeds in many of the same sweet ways and is similar enough to warrant labeling Radnor “Zach Braff: The Next Generation.”

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Movie Review: “True Grit”

Jeff Bridges dons John Wayne’s sizable boots in “True Grit,” a grittier Coen Brothers version of the tale that won the Duke his Oscar forty years ago. And if the fit isn’t as snug and the performance not as warm and exultant as Wayne’s, the movie still manages to be a most worthy Western remake.

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