Category Archives: Reviews

It has always been just a bit out of the way on my every trek between Fla. and Va., where my family lives. And I always seemed to have people in the car who had no interest in Ava Gardner. … Continue reading →

  “The Skeleton Twins” shows us an entirely new Bill Hader. Well, he’s played opposite Kristin Wiig before, on years of “Saturday Night Live.” And he’s played “gay” before — effeminate voice, mannerisms, etc. But “Twins” is a dramedy, which … Continue reading →

A musical mashup of Elvis and Jerry Lee Lewis biography and myth, “The Identical” plays like a failed faith-based “Inside Llewyn Davis.” And that’s the closest thing to a compliment it will get. Built around a too-tall Elvis impersonator, Blake … Continue reading →

The iconic Mexican comic actor Cantinflas warrants a more amusing bio-pic than “Cantinflas” gives him. A historically interesting story is painted in broad, colorless strokes, alternating as it does between soap opera and slapstick. And the comic stuff, built both … Continue reading →

Judy Greer was born Judith Therese Evans in Detroit in 1975, and is quick to point out how long the Internet Movie Database (IMDb.com) had her middle name incorrect in its extensive listing of her career and credits. And there … Continue reading →

Pierce Brosnan’s perfect hair barely budges in the breeze, he fixes his eyes in that narrowed, steely stare and you remember yes, he was a pretty good James Bond. But he’s not Bond, not at 61. He’s this fellow named … Continue reading →

At long last, what seemed like an Endless Summer is over — at the movies, anyway. It’s time to put aside all that comic book reading that we call “research,” sweep the word “sequel” aside and get serious about movies, … Continue reading →

  China’s most publicized, and maybe only Indie Film Festival, now in its 11th year, has been shuttered by the authorities. “Independent” is a word that frightens totalitarians, and according to the AP, this is not the first time they’ve … Continue reading →

The professional box office prognosticators figured the girl-friendly YA novel adaptation “If I Stay” would open well, north of $20 million at least. And that “Sin City: A Dame to Kill For” was too far removed from the original film … Continue reading →

Truthfully, none of the movies opening this weekend is “Let’s Be Cops” or “Into the Storm” awful. But the tomatometer was most ruthless about “Mad Men” creator Matthew Weiner’s overambitious dysfunction and drug abuse comedy “Are You Here?” It’s rating … Continue reading →