Category Archives: Reviews, previews, profiles and movie news

Anjelica and Bill, Benecio, Tilda and Willem and Owen and Liev and and Frances M. and Elisabeth and Cecile and Lea and Timothee and Saoirse and Adrian and Jeffrey Wright! And EVERYbody else. Hot. Damn. July 24.  

“Downhill” is a reminder that one isn’t required — by cinematic law — to faithfully remake a Scandinavian darker-than-dark comedy about a marriage buried when a husband flees an avalanche that might have killed his wife and family. “Force Majeure” … Continue reading →

Issa Rae meets Lakeith Stanfield — two actors on the rise, her personal family history…and sparks. Universal hasn’t been previewing this one, no reviews are up yet. But it looks promising, so maybe they’re saving the surprise. “The Photograph” opens … Continue reading →

“Ford v. Ferrari,” my favorite picture of last year, won two Oscars Sunday night — for editing and sound editing. It deserved them. And watching it again Monday night, before it and most of this year’s Oscar contenders lose their … Continue reading →

“Pandora” is a Korean thriller plainly inspired by Japan’s Fukushima tsumani and nuclear plant meltdown. It’s nicely-detailed, with decent effects, moderate suspense and a distinctly Korean approach to how this sort of calamity might go down in an Asian country … Continue reading →

The 2011 Belgian comedy “Hasta la Vista” earns a chuckle-out-loud remake with “Come as You Are,” a tale of two wheelchair-bound guys and their blind pal road tripping from Colorado to Canada. They’re disabled and they’re virgins and you guessed … Continue reading →

I loved the dark Swedish/Norwegian/French film this is based on, “Force Majeure.” So even though this Hollywood remake is warning mixed notices I early reviews, I am cautiously optimistic. Will Farrell is a master at cringe worthy, and Dreyfuss is … Continue reading →

Netflix really only has itself to compete with in the newly-revived teen romantic comedy genre. Theatrical studios gave up on making such films and getting them right a generation ago. But young fans of Netflix’s bubbly (“The Perfect Date”) or … Continue reading →

Danish director Lone Scherfig throws half a dozen Manhattan lives together, using infamously callous New Yorkers to try and make a point about “The Kindness of Strangers.” It doesn’t wholly come off, with back stories too thinly developed, pathos and … Continue reading →

I have seen “JoJo” and “Little Women” twice. Think I’ll hit a second run house showing “Ford v Ferrari” late today. Win or lose, they are worth seeing on the big screen. The countdown has begun. “Richard Jewell” is about … Continue reading →