Category Archives: Reviews, previews, profiles and movie news

You just knew that some actress would see the scandalized televangelist and latter day gay icon Tammy Faye Bakker in 2001’s acclaimed documentary “The Eyes of Tammy Faye” and lick her lips at the thought of playing her on the … Continue reading →

Andrew Garfield is Jim Bakker, the preacher/con-artist who, with singing (yeah, she sounded like that), sermonizing and upbeat hustling wife Tammy Faye Bakker, created a Christian media empire and theme park in Billy Graham’s Charlotte, NC stomping grounds. Vincent D’Onofrio … Continue reading →

If there’s an actor working today with more of a born “poker face” than Oscar Isaac, I’d be terrified playing cards against him. The sleepy, hooded eyes give him a resting blank-face – serious, impassive and never giving anything away. … Continue reading →

This Texas tale of honky tonks, pool halls, the love of a good woman and a great song or two is based on a Todd Snider country tune (“Just Like Old Times”) and stars Michael Dorman of “For All Mankind,” … Continue reading →

All it takes is one good, melting look. That’s the way it works in the movies anyway, especially teen romances. Hollywood or Bollywood, Seoul or Sweden, the locale doesn’t matter that much. It’s all about the eyeballs. “JJ+E,” titled “Vinterviken … Continue reading →

As the white stretch limo rolls through the highway on the edge of the Joshua Tree National Monument, the driver rolls down the privacy screen and hits the immaculately put-together star in the back with the question she’s come to … Continue reading →

Leo and Meryl, Jonah and oh-so-many others star in this doomsday farce about real doomsday coming in a time of so much angst and worry over the things that may not kill us if something new comes up. “Don’t Look … Continue reading →

You kind of know you’re in a Joe Carnahan movie when somebody on camera states the obvious. “What say we cut through the bulls–t?” It always comes too deep into the bulls–t to matter. But that’s what you came for, … Continue reading →

The thing about James Wan’s “Malignant” is that it’s utter nonsense, until that moment it isn’t. All becomes clear. Ish. And the damned monstrosity that it was up until now abruptly becomes even worse. Who knows what Wan, who finally … Continue reading →