Author Archives: Roger Moore

I saw “The Curse of La Llorona” with a half-full house Thursday night, so I am guessing the answer to that is “Yes.” “The Weeping Woman” should best “Shazam” at the box office, dethroning the WB comic book title. The … Continue reading →

Fans of “classic” “Star Trek” probably haven’t forgotten it. But some have, and generations that got hooked on “The Next Generation” and “Voyager” and “Deep Space Nine” etc. quite possibly never knew this. But Nichelle Nichols, the actress who played … Continue reading →

The faith-based cinema of today seems to be breaking into two paths in search of that audience. There’s the angry victimhood/revenge Christianity, films that follow in the wake of the “Left Behind” movies — dogmatic and political — “God’s Not … Continue reading →

I missed this trailer when it dropped a while back. But you can catch up on such ads for an older audience, or a faith-based crowd, when you go to a showing of the faith-based “Breakthrough.” A lot of wonderful … Continue reading →

They’ve never been anybody’s idea of “trouble.” Until now. Graduation night, these “Booksmart” young ladies are going “Girls Gone Wild” — Olivia Wilde. The screen beauty takes a turn behind the camera for this “Superbad” meets “Ghost World.” “Booksmart” looks … Continue reading →

Man, I don’t know what first-time feature director Michael Chaves did to scare the hell out of the kids he cast in “The Curse of La Llorona.” Judging from the utterly convincing looks of unfiltered terror and the blood-curdling screams … Continue reading →

There were two great take-aways from the horror classic “The Blair Witch Project.” One was the faux veracity of “found footage,” which ratcheted up the fear that “This really happened, and their footage was all that’s left!” Yeah, we knew … Continue reading →

Pioneering Franco-American filmmaker Alice Guy was never completely forgotten. Her movies would be mentioned by legendary directors like Hitchcock and Eisenstein in their memoirs. Every so often, over the decades of her life and in the 50 years since her … Continue reading →

Maybe it’s bad form to slap a movie you like with the one thing you didn’t like about it, right from the top, but here goes. There’s a third act turn toward the dark in “No Alternative” that feels abrupt, … Continue reading →

He’s making movies for a smaller studio, the almost-indie Saban Films. And he’s cutting his hair and playing a real role here, a college prof who discovers he’s dying of cancer and lives his life accordingly. There’s a hint of … Continue reading →