Author Archives: Roger Moore

All star cast, funny trailer, great buzz. Here’s a holiday movie that has it all — Jamie Lee C and Toni Collette, Chris Evans and Christopher Plummer. Don Johnson, Michael Shannon. Murder most foul, a dead rich guy, a house … Continue reading →

Something came down here, via meteorite. The South African writer of “Hardware,” one of the great indie dystopian sci-fi thrillers of the ’90s, directed this adaptation. Joely Richardson, Q’rianka Kilcher and Tommy Chong co-star with Nicolas Cage. Looks trippy enough.

Bale and Damon, and Tracy Letts — Ford crashes the 24 Hours of LeMans with its brand-new Ferrari et al killer, the GT40. Yeah, kinda looking forward to this one.  

“Crown Vic” is a grounded and gritty cops-on-the-night-shift melodrama built around a tightly-coiled turn by Thomas Jane. He plays a 25 year LAPD veteran assigned to FTO (Field Training Officer) duty, mentoring a “transfer cherry” (Luke Kleintank) through his first … Continue reading →

Bound to happen. Cheaper than casting the real thing,beceb the ones who aren’t dead? https://www.hollywoodreporter.com/news/afm-james-dean-reborn-cgi-vietnam-war-action-drama-1252703

One way to get past that seasonal “holiday movie phobia” thing more than a few of us suffer from is to throw in some Italian-Americans, as writer-director Robert Tinnell does with “Feast of the Seven Fishes.” Make it a period … Continue reading →

It takes forever to get going. “Doctor Sleep” has to give us all this backstory, remind us who Danny Torrance, the kid with “The Shining,” was. It has to recast the kid from that movie, and more famously, his “Here’s … Continue reading →

The most shocking thing about “Midway” is how much this Roland “Independence Day/Stargate” Emmerch epic about one of history’s greatest naval battles is how much it gets right. After seeing Emmerich’s botched history of the “Stonewall” gay rights riot and … Continue reading →

Danny doesn’t live here…anymore.. Mrs. Torrance. Hoo boy.

It’s a little game movie critics play when we’re watching self-distributed or under-distributed indie films. Guess which scene, which moment, which element prevented this picture from winning a better studio distribution deal? “The Bygone” is a moody, mournful Modern West … Continue reading →