Author Archives: Roger Moore

    I was joking with a critic friend online that I might have to give the aged Vietnam Vets on “one last mission” comedy “Never Too Late” a better review than Spike Lee’s aged Vietnam Vets on “one last … Continue reading →

Quarantined America earns a lovely July 4 present as Disney+ presents “Hamilton,” the stage sensation, this weekend instead of making us wait until the fall of next year to see what all the hoopla’s been about. This is the show, … Continue reading →

There’s no sugar-coating what happens in “Adú,’” a Spanish film about the trials of human migration in Africa. The pall of death hangs over it. A child endures horrors no child should experience, and all of those deaths directly impact … Continue reading →

Thriller from IFC due out Sept. 18. Looks creepy enough to get the job done.    

“Straight Up” is the quippiest, most quotable romantic comedy of the year. There’s no arguing over that. The proof is in the patter, all of it played at “on the spectrum” speed. “You’re the nicest person.” “I’m not. I always … Continue reading →

“The Incoherents,” a comedy about four pushing-50 white New Yorkers “getting the band back together,” has the perfect, dismissive put-down for Generation X. Because if “OK, Boomer” is out there, why should the MTV Kids get off Scot-free? A post-punk … Continue reading →

About the nicest thing one can say about “Elvis from Outer Space” is that it’s no “Bubba Ho-Tep.” I mean, if you’re gonna vamp “The King,” you need more than a title and a premise, that Fat Elvis was rescued … Continue reading →

  “The Outpost” is a straight-no-chaser account of a real-life battle during America’s Afghan War. Cinematically, it’s “Zulu” or “The Green Berets,” with a heavy dose of the Afghan War documentary “Restrepo” for realism. It is chaotic, noisy and bloody, … Continue reading →

It’s often said “I’d rather watch an interesting failure by (name a famous filmmaker here) than passable entertainment from anybody else.” That motto earns another workout — after misfires by Scorsese and Spike — with Atom Egoyan’s latest. “Guest of … Continue reading →