Author Archives: Roger Moore

An Antoine Fuqua take on an action tale with sci Fi underpinnings. June 10 on Paramount +.

It takes a while, a good overlong while, for the Thai thriller “Ghost Lab” to get going. But man, once it’s on its feet, saddle up for a fun ride. Hair raising moments, touches of pathos, gonzo violence, decent effects … Continue reading →

Ok, who hasn’t dreamed dark thoughts about some social media troll who’s made disgusting, cruel or hateful comments about something you’ve said, shared or posted? No one, right? There’s something very satisfying about the thought that some thinks-he-or-she-is-anonymous online troll … Continue reading →

What would horror screenwriters do without murderously sadistic millionaires? They’re so very handy when you’re trying to concoct a means for putting say, eight reality TV and streaming show stars in a “Funhouse” where online viewers can revel in them … Continue reading →

Can’t tell a lot from this clip, as it is seriously generic in the first act get up and get going tradition. “Annette” opens July 7 in la belle France, with Simon Helberg. Opera singer and stand up comic have … Continue reading →

You’d think we’d explored all the possibilities of being trapped in a small space with time running out in “Buried,” and all the emotions of a life circumscribed by such limitations in “The Diving Bell and the Butterfly.” Ah, but … Continue reading →

A pretty young French musician tries to surf the coming electronica wave in Paris in “Le choc du futur,” a “musician finds her sound” tale set in 1978. The film isn’t a tale of triumph over adversity, paddling against the … Continue reading →

What a peculiar, sometimes bizarre movie “Homunculus” is, a brain-experiment sci-fi thriller that lurches between dull and downright revolting.starts with graphic brain surgery, crosses into “creepy,” and freely-acknowledges that when it does, as it dabbles in the Japanese obsession with … Continue reading →

Annasophia Robb, Minks Kelly, and as a young Meyer Lansky? John Magaro.

Emily Blunt, The Rock, CCR, and “a tree” with “powers.” Did I mention the U Boat? So the cut and paste screenwriters have seen “The African Queen” and “Murphy’s War?” And every Disney movie with a whiff of magic?