Author Archives: Roger Moore

Beloved character actors can become a movie-lover’s idea of a perpetual underdog, somebody we root for. So it is for me with Tobin Bell. The one and only “Jigsaw” has at last escaped the “Saw” series. But it’s a shame … Continue reading →

The chef and traveler is the subject of this July release from Focus Features. https://youtu.be/ihEEjwRlghQ

“It’s Not a Burden” interviews scores of parents being cared for, in various ways and in varying degrees, by their adult children. It’s a documentary collage of caregiving showcasing the relationships that endure, even if “the roles have reversed” and … Continue reading →

How can a movie set in Brazil’s Carnival, the colorful, hedonistic Bacchanal held in the days leading up to every Ash Wednesday — unless there’s a global pandemic — come off as drab as “Carnaval?” Colorful costumes, fruity drinks, gaudy … Continue reading →

Blades and fists break out in this tiny Tokyo cafe named…Hydra. July 2 the brawl breaks out on streaming.

A couple of things brought this 1950 movie to mind before it popped up on “Sunday Night Noir” a few days ago. The first was Jeff Bezos over-paying for MGM and its vast library. Film libraries used to be more … Continue reading →

The cheerful, generous employment of vintage second-gen video game graphics and a broad, goofy Nickelodeon/Disney Channel comedy touch are what the makers of the indie film “Hero Mode” hoped to skate by with. They don’t quite pull it off, but … Continue reading →

The ideal person to review the new “Spirit” animated movie would be maybe nine, probably a little girl and certainly a fan of the “Spirit: Riding Free” TV series that spun off of the 2002 movie, “Spirit: Stallion of the … Continue reading →

“Tove” is an utterly conventional biopic about a seriously unconventional woman. Tove Jansson was a Swedish-speaking Finnish writer, painter, cartoonist and caricaturist, one of the country’s most celebrated artists thanks to the pan-European fame her “Moomin” children’s books and comic … Continue reading →

A big reason that critics and cineastes flocked to Asian thrillers and gangster movies way back when Hong Kong auteur John Woo was just starting out was the sense that Hollywood had shown us everything it had to offer in … Continue reading →