Author Archives: Roger Moore

Aw man. I might’ve cut “The Tomorrow War” a little more slack had screenwriter Zach Dean not conjured up the crappiest, sappiest most over-extended finale in living sci-fi movie memory. And before you make a crack about my memory not … Continue reading →

A fictional Buddhist legend separating the two eyes of The Evil One so that they can’t reunite and “turn the world into Hell” is the centerpiece of “The 8th Day,” a Korean horror thriller in which the hope of the … Continue reading →

“I Carry You With Me” is an innovative take on the classic “coming to America” immigrant saga. It’s not just about Mexicans longing to travel north for opportunity and freedom. The couple here are gay, so their hopes are to … Continue reading →

On a night in February of 1983, Carlos DeLuna ran away from the scene of a murder, a Corpus Christi, Texas convenience store. The 911 dispatcher, and later a courtroom, heard the 911 tape of Wanda Lopez confirming that a … Continue reading →

Claustrophobic, minimalist and deliciously macabre, “Rock, Paper, Scissors” is an Argentine variation on the paranoid excesses of “Whatever Happened to Baby Jane?” or “Misery.” Well-acted and properly gloomy, if a tad predictable, it starts off dark and turns pitch-black in … Continue reading →

Mike’s the kind of guy everybody walks over and everybody talks over. Like that manic driveway car salesman Dennis, who tries to sell him a ’65 Chrysler New Yorker when the kid came over to buy a practical, cheap Toyota. … Continue reading →

I was curious to see what “The Nickelback of American Letters” was up to, dipping his glib toe in the murky waters of World War II and the undying myth of the “surgical (air) strike.” “The Bomber Mafia” is a … Continue reading →

One thing I dare say Universal never bargained on was how sad these America Goes to Hell horror tales of “The Purge” can be. Because it’s not characters struggling, gaining our empathy and then dying that threatens to bring the … Continue reading →

A young man with a gun breaks into a Warsaw TV studio on New Millennium Eve, figuring to deliver a message or manifesto to the masses in “Prime Time.” But that’s not the way things work out in this mildly-suspenseful … Continue reading →

As somebody who’ll laugh at any word that comes out of Alec Baldwin‘s mouth in that bossy, Wall Street bull-in-a-china-shop Jack Donaghy (“30 Rock”) voice, I laughed and laughed at “The Boss Baby.” An animated tale of a bossy, business-suited … Continue reading →