Author Archives: Roger Moore

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About Roger Moore

Movie Critic, formerly with McClatchy-Tribune News Service, Orlando Sentinel, published in Spin Magazine, The World and now published here, Orlando Magazine, Autoweek Magazine

Movie Review: Gawain is tested by “The Green Knight”

If you were raised and educated in English, chances are you have at least a passing acquaintance with the tale of Sir Gawain and the Green Knight. This chivalric romance comes up in any class that goes back to “Beowulf,” … Continue reading →

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Hard times in Raccoon City, “Resident Evil” land?

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Movie Nation, spreading quality movies on DVD, all over the Atlantic Coast Conference

So anyway, I have this Johnny Appleseed/Roger DVDseed thing I do on the endless Nomadland road trip that is my life. I donate DVDs I review to whatever public library I pass on my travels. Plant City Fla. to Danville … Continue reading →

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Movie Review: Matt Damon wants to prove “Stillwater” runs deep

Matt Damon makes a most convincing Oklahoman in a china shop in “Stillwater,” co-writer/director Tom McCarthy’s wholly fictional tale of an American coed locked up by a European justice system and the father who tries to help. The story resembles … Continue reading →

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Let’s see “Stillwater” in Winston Salem’s arthouse, shall we?

Focus Features didn’t make this available to me pre release, the fraidy cats. So I’m catching it on the fly in an artsy cinema in the artsiest city I ever lived in, Winston Salem NC. It’s been a long time … Continue reading →

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Netflixable? JCVD goes “Oui, oui Wheeeee” as “The Last Mercenary”

This, my friends, is the way to walk off into the action hero sunset. Jean-Claude Van Damme, kicking ass and doing splits, donning disguises and having a few laughs at his own expense. Pontificating like a pugilist/prophet, a sage for … Continue reading →

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Movie Review: A pre-med student is called back to his Ghana village — “Nakom”

The tug of the old life struggles with the promise of the new in “Nakom,” a neorealist Ghanian drama made by a couple of American filmmakers. The debut feature of co-directors Kelly Daniela Norris and T.W. Pittman may tell a … Continue reading →

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Classic Film Review: Peckinpah’s first feature, “The Deadly Companions” (1961)

In the late 1950s, the golden age of the TV Western, Sam Peckinpah was a TV writer and sometime director whose scriptsstood out thanks to their hard, unconventional and unsentimental edge. In 1960-61, the future director of “Ride the High … Continue reading →

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Next Screening? Korean diplomats scramble to “Escape from Mogadishu”

This August 6 release is a thriller set in “Black Hawk Down” 1991 Somalia. Looks gripping.

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Movie Review: “John and the Hole” never digs its way out

“John and the Hole,” the painterly, understated and under-plotted directing debut of visual artist turned filmmaker Pascual Sisto, leaves the diagnosis of its title character up to the viewer. And right from the start, he’s a puzzle. John (Charlie Shotwell) … Continue reading →

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