Author Archives: Roger Moore

What in Holy Hunan is this? A Chinese animated comedy about dashing dim sum, samurai sushi and nervy noodles facing down the evil, stinky Lord Octopus? “Kung Food” is a Chinese import based on a Chinese TV series that plays … Continue reading →

Ridley Scott looked at all the sordid, unscrupulous and deadly goings-on that ended the Gucci family’s days of running the “House of Gucci” and saw a cartoon. Watching his take on a fashion empire’s downfall, or change-of-ownership, you can sometimes … Continue reading →

This looks like another variation on one of the most remade plots of all time, “The Most Dangerous Game.” It’s not hunting human “game” for sport. But something in that ballpark. “Wild Game” stars Charlie Barnett, Matthew Daddario, Creed Garnick, … Continue reading →

Film fans got our first taste of what life was like in Spain after the death of the dictator Franco via the films of Pedro Almodovar, which captured an almost giddy liberation. The new Catalan thriller “Outlaws,” “Las leyes de … Continue reading →

The holidays are built for binge-watching, with the big blocks of “down time” taking the form of working your tail off to cook, clean for and keep visiting family entertained. OK, you get to “Maid” your way, I (finally) get … Continue reading →

As Advent is now upon us — the original Catholic countdown to Christmas before America invented “Shopping Days” to keep better track — this is the perfect season to unleash a horror movie about an evil artifact attached to this … Continue reading →

This is Latvia’s selection in the Best International Feature category at the Oscars It comes our way Dec. 17, via Film Movement.

Yes, the title “My Dad’s Christmas Date” gives away the movie. But who do you think of when you hear this line? “My Dad spends Monday nights in church.” How about NOT Jeremy Piven? The former Cusack sidekick and second … Continue reading →

All most folks remember about Frank Capra’s next-to-last film is Frank Sinatra introducing “High Hopes” in it, sung in a duet with the cinema’s “other” 1950s redheaded little boy, Eddie Hodges. “High Hopes” won the best original song Oscar, and … Continue reading →

As pandemic break-up romantic comedies go, “The End of Us” isn’t half-bad. It turns out “less is more” in such films, and “End” scores over the big-budget “Locked Down,” the British “Together” and the French Netflixer “Stuck Together” by getting … Continue reading →