Author Archives: Roger Moore

Oh come on, not THIS crap again! You’d figure six “Resident Evil” movies would have been enough, a seriously-lowbrow but seriously successful video-game film franchise that helped Milla Jovovich put her kids through college and what not. But her character, … Continue reading →

All that a cast filled with music personalities adds to the dull, trashy money-laundering melodrama “For the Love of Money” is the occasional pause for a song. And the last thing this movie should do is pause. It’s just as … Continue reading →

One of the blessings of Netflix is that movies that get lost in the shuffle have a second chance to find a wide audience on the streaming service, a much better chance that ad hoc sales to cable or broadcast … Continue reading →

Here’s one of those “upend your expectations, pardner” Westerns of the modern mold, a movie about a “sidekick” forced to take over the story when the hero gets bushwhacked. “The Ballad of Lefty Brown” isn’t about a famous gunslinger, lawman, … Continue reading →

That one adds a little bit to what we already know is coming Christmas Day. Below is still the song that sells this movie, IMHO. “White Rabbit” resurrected FTW.

An exasperated Monaco developer wants to teach his lazy, insufferable “Spoiled Brats” a lesson by pretending they’ve lost it all in what turns out to be a tepid remake of the Mexican comedy “We Are the Nobles.” It’s a plot … Continue reading →

Generations before Colin Kaepernick took a knee, not all that long after Jackie Robinson retired, and shortly after Althea Gibson broke the color barrier in tennis, Arthur Ashe took to the world’s most famous tennis tourneys, brought his game to … Continue reading →

It’s more familiar to film buffs than it is to the generation that still watches old TV Westerns on assorted cable, streaming and Grit TV channels. And to us, it’s attained cult status, a “Prisoner” or “Black Adder” but beloved … Continue reading →

The “inciting incident” in the Latvian drama “The Pit (Bedre)” is so chilling that we judge the kid committing it instantly and in the harshest terms. There’s a younger child, a little girl, literally in a pit, and he’s doing … Continue reading →

Boy, you think you know all the “madcap” Hollywood farces, and then something like 1951’s “Behave Yourself!” pops up, begging to differ. It’s got Farley Granger (“Strangers on a Train,” “Rope”), cast against type, Shelley Winters playing comedy and every … Continue reading →