Author Archives: Roger Moore

“France” is an eye-popping star turn by Léa Seydoux in search of a more coherent and pointed satire than the movie surrounding her. Seydoux, one-time “Bond Girl,” much-honored co-star of “Midnight in Paris,” “”Blue Is the Warmest Color,” “The French … Continue reading →

This glossy 15th century period piece is about the intrigues surrounding the Kalmar Union, and the woman trying to hold it together. “Margrete” opens Dec. 17.

This lowdown and dirty thriller opens Dec. 7.

There are several moments when “Mixtape,” a sentimental learn-about-my-parents-through-their-music dramedy, teeters on the edge of tumbling into maudlin. Every movie with “so cute you want to pinch its cheeks” in its DNA runs that risk. But then a song comes … Continue reading →

Here’s a warm, cuddly comedy about family and Christmas, fellowship and food and presents and oh — a planetary apocalypse. There are no spoiler alerts in play with “Silent Night,” a darker-than-dark romp pitched as “apocalyptic” and which starts out … Continue reading →

“Swan Song,” a reunion project for “Moonlight” alumni Mahersala Ali and Naomie Harris, is quiet, introspective science fiction about a dying man’s struggle with the notion of cloning himself and letting that clone take over his life shortly before his … Continue reading →

“She broke down on the road. She’s got a little girl. She’s missing.” And it’s not just a lone woman on a car trip terrors that face her. Something supernatural is involved. This Eduardo Rodriguez film comes out Dec. 14.

Today’s version of the “Hero’s Journey” is a Chinese folktale rendered into an impressive-looking mess of a mashup — part medieval fantasy, with Minatours and shape shifters, “Mad Max” post-apocalyptic car chases, firearms and flesh. “Green Snake” is like the … Continue reading →

Half a century into his career, and the king of Spanish cinema is still working on his Mommy Issues. ‘Parallel Mothers” gives us Pedro Almodóvar in his 70s, past the rambunctious, liberating and boundary pushing cinema of his “Women on … Continue reading →

Star Ethan Hawke introduces, out of character, Abel Ferrara’s latest film with a little reminder of “what we’ve been living through” the last couple of years, and a professed “I can’t wait to see” what Ferrara’s come up with this … Continue reading →