Author Archives: Roger Moore

I had to look up this Dutch translation after taking in the tense, suspenseful World War II drama “Riphagen,” retitled “Riphagen: The Untouchable” for its Netflix release. “Nagelbijter” is the only Dutch word for it — “nail biter.” It’s a … Continue reading →

Glib, aged mercenaries face off with an Army patrol trapped with them in an Afghan tunnel in “The Prey: Legend of Karnoctus,” a C-movie that wants to embrace the campy cheese, but never gets closer than arm’s length. Starring cigar-chomping … Continue reading →

A dystopian, political, topical and fantastical musical from Africa, “Neptune Frost” is as unusual a film as you’ll see this year. This Rwandan musical is cryptic and meandering, and easier to decipher than it is to follow. But like an … Continue reading →

The old joke that “Assault rifles are for gangsters, and rednecks too lazy to learn to shoot” comes to mind when sitting through the mayhem of “White Elephant,” a cop-hunted-by-hitmen thriller starring a lot of old-in-the-tooth action stars. This unfortunately-timed … Continue reading →

An iconic tune’s tortured journey to fame, a songwriter’s ticket to immortality.

As dying-man’s-last-road trip dramas go, “Hole in the Wall (Gat in Die Muur)” has more “hole” than “wall.” Dull, uninvolving and downright off-putting in the story it tells and the way that it tells it, “Wall” doesn’t make sense until … Continue reading →

By “Bridgerton” I mean the color blind casting that compensates for history and literature’s erasure of people of color from the Napoleonic Era and Britain on the cusp of the 18th century. The Shonda Rhimes sex and plenty of it … Continue reading →

Here’s all you need to know about this ever-so-slight teen romance from Mexico, “Anonymously Yours.” It’s all about how two kids meet by mistake via texts, and decide to keep their “relationship” secret — “No personal information, no pictures, no … Continue reading →

Forget the cop-out of an anti-climax that the makers of “The Policeman’s Lineage” insisted upon, and you’ve got a decent thriller built around the struggle for a young Korean cop’s soul. Director Lee Kyu-maan and screenwriter Bae Young-Ik set up … Continue reading →