Author Archives: Roger Moore

Jamie Foxx may be an Oscar winner, and an accomplished musician, singer and stand-up, too. But he’d seem an unlikely candidate for a book on fathering. Not Herschel Walker unlikely. But a party animal, good-time TV and movie star with … Continue reading →

A college age daughter returns to Athens to care for her emotionally-distant, now-infirm father in “Moon, 66 Questions,” the latest teaming of writer-director Jacqueline Lentzou with her on-screen alter ego, Sofia Kokkali (“The End of Suffering”). It’s a self-consciously-filmed soft-spoken … Continue reading →

Creepy and atmospheric and coming to Shudder July 14.

I can name this movie in one scene. Hey, I’m a professional. I’ve been doing this for decades. You think I can’t spot a clumsy South African “Crash” knockoff in thirty seconds or less? “Collision” is the title of this … Continue reading →

It opens with the sounds of thumping and a camera tracking through a gloomy, cluttered apartment. Our protagonist is slowly, rhythmically beating his head against a load-bearing pillar. A radio suggests a new therapy for the viral, planet-wide outbreak of … Continue reading →

At a couple of points in this indie trailer one wonders if the filmmakers have seen a Western, much less carefully taken note of their tropes, dialogue, etc.

One of the singular pleasures of traveling “Around the World with Netflix” is tumbling into a new mystery thriller from down Argentine Way. The genre’s practically a cottage industry down there, with “Blood Will Tell (La Misma Sangre),” “Black Snow” … Continue reading →

It’s accepted wisdom that people age out of going to the movies. So stories about a demographic that’s abandoned the cinema are unfairly but justifiably rare. But the multiplex’s loss in the streaming cinema’s gain. Case in point, the laugh-out-loud … Continue reading →

The fascist lampooning stage sensation cones to this big screen — and Netflix — Dec. 13. Looks “Oliver Twisted.” A distaff “Pink Floyd’s The Wall.”

Baz Luhrmann’s “Elvis” is the “Titanic” of musical biographies, a fantasia on its subject that synthesizes all that we know and much that we feel and wish about its iconic subject in a swirl of images, impressions and sounds surrounding … Continue reading →