Author Archives: Roger Moore

A shorter weekend means that Stephen King’s “It” will only pull in another $54 million this frame, based on Friday night’s numbers as assessed by Deadline.com.  It’s already earned over $212 million. And it isn’t facing any serious opposition from … Continue reading →

  “American Assassin” is a Big Action Beats formula thriller that overstays its welcome and never quite gels around its hunky young star, allowing Michael Keaton to steal the movie out from under him. Just like “Spider-Man,” in other words. … Continue reading →

Oh, the things Darren Aronofsky does to his latest leading-lady turned muse, Jennifer Lawrence. In “Mother!”, he keeps the camera in Lawrence’s face, on her shoulder and looking down her shirt as she is insulted, grabbed, pummeled and worse. It’s … Continue reading →

The best cast Guillermo del Toro’s ever worked with headlines his government secrets/monster movie period piece “The Shape of Water,” due out this Dec. Sally Hawkins and Octavia Spencer, Michael Shannon and Richard Jenkins — that’s a lineup any Academy … Continue reading →

Gather round, children, and let the Old Man of the Movies tell you the way it used to be in the simmering cinematic summers of the Old South. Movie theaters were the first public spaces, nationwide, to invest in air … Continue reading →

Sometimes, an indie film’s pedigree is far more interesting than the movie itself, and so it is with “Alina,” an inconsequential Russian immigrant lured into “personal escort” work by the support system she leans on upon arriving in New York. … Continue reading →

Hurricanes Harvey and Irma didn’t dampen turnout for Stephen King’s “It,” which almost doubled pre-release projections to open with almost $117 million on its opening weekend. No stars, a second adaptation of a book turned into a TV mini series … Continue reading →

For a movie critic, stumbling across a “new to Netflix” release you haven’t seen or even heard of is an “Uh oh” moment — for the film’s stars. “We’re No Animals,” the last and least title conjured up for an … Continue reading →

I had the same doubts about Jason Zinoman’s “The Last Giant of Late Night” Letterman biography that I had about his New York Timesman predecessor Bill Carter’s “The Late Shift.” That is that the book starts out with the same … Continue reading →

Consider this. Horror movies typically have a box office ceiling, which the “Conjuring/Insidious” and more recently “Annabelle” folks have pushed against. Consider too, that Stephen King’s brand is 40 years old and his track record with film adaptations has been … Continue reading →